Takuji Narumi

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  • Ryohei Nagao, Keigo Matsumoto, Takuji Narumi, Tomohiro Tanikawa, and Michitaka Hirose:
    Ascending and Descending in Virtual Reality: Simple and Safe System Using Passive Haptics, IEEE Transactions on Visualization and Computer Graphics (TVCG), 2018.
  • —é–ØŒ[‘¾C‰¡ŽR³“TC‹g“c¬˜NC–]ŒŽ’—RC•zˆøƒŽjC–ŠC‘ñŽuC’Jì’q—mCœA£’ʍFF
    “¯’²“I‚È•\î•ÏŒ`‹Zp‚ð—p‚¢‚½‰“ŠuƒRƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“‚ÌŠg’£C
    î•ñˆ—Šw‰ï˜_•¶ŽC59(1), pp. 2018”N1ŒŽD
  • –ÎŽRä‘¾˜YC¬ì“Þ”üC–ŠC‘ñŽuC’Jì’q—mCœA£’ʍFF
    ƒAƒoƒ^‚̊֐ߊp•â³‚É‚æ‚é‹^Ž—’ïRŠ´’ñŽ¦C
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol.22, No.3, pp. 369-378, 2017”N9ŒŽD
  • ‰FŽ¡“yŒö—Y‰îC–ŠC‘ñŽuC”º—SŽ÷C’Jì’q—mCL“cŒõˆêCœA£’ʍFF
    ”wŒiˆÚ“®—Ê‘€ì‚ð—˜—p‚µ‚½Ž‹GŠoŠÔ‘ŠŒÝì—p¶‹N‚É‚æ‚éƒ^ƒbƒ`ƒpƒlƒ‹‚Å‚Ì‹[Ž—G—ÍŠo’ñŽ¦C
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol.22, No.3, pp. 305-313, 2017”N9ŒŽD
  • Yuya Kakutani, Takuji Narumi, Tatsu Kobayakawa, Takayuki Kawai, Yuko Kusakabe, Satomi Kunieda, Yuji Wada:
    Taste of breath: the temporal order of taste and smell synchronized with breathing as a determinant for taste and olfactory integration,
    Scientific Report, 8922, 2017.
  • ’‡–쏁ˆêC‘åàV‘s•½C–ŠC‘ñŽuC’Jì’q—mCœA£’ʍFF
    —̈æŒ^ƒo[ƒ`ƒƒƒ‹ƒ^ƒCƒ€ƒ}ƒVƒ“‚ð—p‚¢‚½‚Ü‚¿•à‚«ƒCƒxƒ“ƒg‚ÌŽÀŒ»C
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol.22, No.2, 2017, 2017”N6ŒŽD
  • Keita Suzuki, Masanori Yokoyama, Yuki Kionshita, Takayoshi Mochizuki, Tomohiro Yamada, Sho Sakurai, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Enhancing the Effect of Mediated Social Touch between Persons of the Same Gender by Changing Gender Impression,
    Augmented Human Research, Dec. 2016.
  • âʐ£—m•½C–ŠC‘ñŽuF
    ’N‚Å‚à_ƒvƒŒƒC‚Å‚«‚éƒWƒƒƒ“ƒvƒAƒNƒVƒ‡ƒ“ƒQ[ƒ€C
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol.21 No.3, pp.415-422, 2016”N9ŒŽD
  • ì£—CŽiC‹g“c¬˜NC–ŠC‘ñŽuCã“cË‘ãC’r“c‚Ü‚³‚݁C“n粏~ŽiC’Jì’q—mCì–{“N–çCœA£’ʍFF
    Mob Scene FilterFŠç•”ˆÊ‚ÌŒ`óEˆÊ’u•ÏŒ`‚ð—˜—p‚µ‚½‘¼lŠç•ÏŠ·Žè–@C
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol.21 No.3, 2016”N9ŒŽD[“ú–{VRŠw‰ï˜_•¶ÜŽóÜ]
  • ”º—SŽ÷CŸNˆäãāC–ŠC‘ñŽuC’Jì’q—mCœA£’ʍF:
    ŽžŒv‚Ì•\Ž¦ŽžŠÔ‘¬“x§Œä‚É‚æ‚é’Pƒì‹Æ‚̏ˆ—‘¬“xŒüãŽè–@C
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol.21 No.1, pp.109-120, 2016”N3ŒŽD
  • ŸNˆäãāC’†—¢’¼l, ‹g“c¬˜NC–ŠC‘ñŽu, ’Jì’q—m, œA£’ʍFF
    •\î•ÏŒ`ƒtƒB[ƒhƒoƒbƒN‚É‚æ‚鉓Šu‹¦’²ì‹Æ‚É‚¨‚¯‚é‘n‘¢—ÍŒüãŽx‰‡C
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol.20 No.4, pp.323-332, 2015”N12ŒŽD[“ú–{VRŠw‰ï˜_•¶ÜŽóÜ]
  • ’|“àr‹MC“¡ˆä’B–çC¬ì‹±•½C–ŠC‘ñŽuC’Jì’q—mCœA£’ʍFF
    ‘¼ŽÒ•]‰¿‚ð—˜—p‚µ‚½HKŠµ‰ü‘Pƒ\[ƒVƒƒƒ‹ƒƒfƒBƒAC
    lH’m”\Šw‰ï˜_•¶ŽCVol.30, pp.820-828, 2015”N9ŒŽ.
  • ‹g“c¬˜NC–ŠC‘ñŽuCŸNˆäãāC’Jì’q—mCœA£’ʍF:
    ƒŠƒAƒ‹ƒ^ƒCƒ€‚È•\î•ÏŒ`ƒtƒB[ƒhƒoƒbƒN‚É‚æ‚銴î‘ÌŒ±‚Ì‘€ì,
    ƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ï˜_•¶Ž, Vol.17 No.1, p.15-26, 2015”N2ŒŽ.
  • –ŠC‘ñŽuC—é–Ø’qŠGC’Jì’q—mCœA£’ʍF:
    •@•”‚ւ̗≷Šo’ñŽ¦‚É‚æ‚éH–¡”F’m•Ï‰»Žè–@,
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶Ž, Vol.19 No.4, pp.439-448, 2014”N12ŒŽ.
  • ‘•ªVC”º—SŽ÷C–ŠC‘ñŽuC’Jì’q—mCœA£’ʍF:
    ”w–ʃ^ƒbƒ`ƒpƒlƒ‹‚ð—p‚¢‚½‹[Ž——ÍŠo‚É‚æ‚郂ƒoƒCƒ‹’[––‚ł̐GŠo’ñŽ¦,
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶Ž, Vol.19 No.4, pp.571-580, 2014”N12ŒŽ.
  • ”º—SŽ÷C–ŠC‘ñŽuC’Jì’q—mCœA£’ʍF:
    ŽèŒ`ó•ÏŒ`ƒtƒB[ƒhƒoƒbƒN‚ð—˜—p‚µ‚½”cŽ“®ì‚É‚¨‚¯‚éd‚³’mŠo‘€ì,
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶Ž, Vol.19 No.4, pp. 523-532, 2014”N12ŒŽ.
  • ›”ŠÔ—S‹BC”º—SŽ÷C–ŠC‘ñŽuC’Jì’q—mCœA£’ʍF:
    Pseudo-haptics‚ð—p‚¢‚½MR‹óŠÔ“à‚ł̗͍ì‹ÆŽx‰‡,
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶Ž, Vol.19 No.4, pp.533-540, 2014”N12ŒŽ.[VRŠw‰ï˜_•¶ÜŽóÜ]
  • ’|“àr‹MC“c‘º—mlC–ŠC‘ñŽuC’Jì’q—mCœA£’ʍF:
    ƒ‰ƒCƒtƒƒO‚ƃXƒPƒWƒ…[ƒ‹‚ÉŠî‚¢‚½–¢—ˆ—\‘ª’ñŽ¦‚É‚æ‚éƒ^ƒXƒNŠÇ—Žè–@C
    î•ñˆ—Šw‰ï˜_•¶Ž, Vol.55 No. 11Cpp. 2441-2450, Nov. 2014D
  • Jun Imura, Kazuhiro Kasada, Takuji Narumi, Tomohiro Tanikawa, and Michitaka Hirose: Reliving Past Scene Experience System by Inducing a Videocamera Operatorfs Motion with Overlaying a Videosequence onto Real Environment, ITE Transactions on Media Technology and Applications, Vol.2 No.3, pp.225-235, July 2014.
  • Takuji Narumi, Masaaki Miyaura, Tomohiro Tanikawa and Michitaka Hirose:
    Simplification of Olfactory Stimuli in Pseudo-gustatory Displays,
    IEEE Transactions on Visualization and Computer Graphics (TVCG), 20(4), pp.504-512, Mar. 2014.
  • Yuki Ban, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Modifying Perceived Size of a Handled Object through Hand Image Deformation,
    Presence: Teleoperators and Virtual Environments Summer 2013, Vol. 22, No. 3: 255-270, 2014.
  • ŸNˆäãāC–ŠC‘ñŽuCŸ‘º•x‹MC’Jì’q—mCœA£’ʍF:
    Interactonia Ballon: •—‘D‚ð—p‚¢‚½”\“®“IŒÄ‹z‚Ì—U”­‚É‚æ‚é‹Ù’£Š´‚ÌŠ«‹NE‘•,
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶Ž, Vol.18 No.3, pp.361-370, 2013”N9ŒŽ.
  • ’|“àr‹MC’†“‡“‘¾˜YC¼‘º–M—TC–ŠC‘ñŽuC’Jì’q—mCœA£’ʍF:
    “WŽ¦‹óŠÔ‚Ì3ŽŸŒ³‹L˜^‚ð—p‚¢‚½ŽžŠÔŽ²Šg’£Œ^“WŽ¦,
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶Ž, Vol.18 No.3, pp.237-246, 2013”N9ŒŽ.
  • –ŠC‘ñŽuC”º—SŽ÷CŠ”g’C’Jì’q—mCœA£’ʍFF
    Šg’£Œ»ŽÀŠ´‚ð—˜—p‚µ‚½H•iƒ{ƒŠƒ…[ƒ€‚Ì‘€ì‚É‚æ‚é–ž• Š´‚Ì‘€ìC
    î•ñˆ—Šw‰ï˜_•¶ŽCVol.54 No.4Cpp.1422-1432, 2013”N4ŒŽD
  • –ŠC‘ñŽuC”º—SŽ÷C“¡ˆä’B–çCŸNˆäãāCˆä‘ºƒC’Jì’q—mCœA£’ʍF:
    Šg’£Ž‹v—́FŠg’£Œ»ŽÀŠ´‚ð—˜—p‚µ‚½d—Ê’mŠo‘€ì‚É‚æ‚é—͍ì‹ÆŽx‰‡,
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶Ž, Vol.17 No.4, pp.333-342, 2012”N12ŒŽD[VRŠw‰ï˜_•¶ÜŽóÜ]
  • ”º—SŽ÷C–ŠC‘ñŽuC’Jì’q—mCœA£’ʍF:
    Žè‚Ì“®‚«‚Ì‹óŠÔ•Ï’²‚É‚æ‚éŒ`ó’mŠo‘€ì,
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶Ž, Vol.17 No.4, pp.457-468, 2012”N12ŒŽ.
  • Š‹¼“ЕFC—_“c CÂ–Ø–M—YC–ŠC‘ñŽuC’Jì’q—mCœA£’ʍF:
    ƒfƒWƒ^ƒ‹ƒŒ[ƒ‹ƒEƒFƒCƒ~ƒ…[ƒWƒAƒ€ `“S“¹”Ž•¨ŠÙ‚É‚¨‚¯‚éƒfƒWƒ^ƒ‹“WŽ¦‚Ö‚ÌŽæ‚è‘g‚Ý,
    î•ñˆ—Šw‰ïƒfƒWƒ^ƒ‹ƒvƒ‰ƒNƒeƒBƒX, Vol.3 No.4, pp.281-288, 2012”N10ŒŽ.
  • ¼‘º–M—TC—é–؍NLC‹ž—z‰îC’¹‰z—S•ãC–ŠC‘ñŽuC²“¡@•FC’Jì’q—mCœA£’ʍFF
    Œð’ÊŒnICƒJ[ƒh‚ð—p‚¢‚½Œö‹¤‹óŠÔ‚ł̃Cƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“FƒpƒuƒŠƒbƒNƒA[ƒg‚ð’Ê‚¶‚½ŽÀØŽÀŒ±C
    î•ñˆ—Šw‰ï˜_•¶ŽCVol.53 No.4Cpp.1307-1318C2012”N4ŒŽD
  • –ŠC‘ñŽuC’Jì’q—mCŠ”g’CœA£’ʍF:
    ƒƒ^ƒNƒbƒL[: Š´ŠoŠÔ‘ŠŒÝì—p‚ð—p‚¢‚½–¡ŠoƒfƒBƒXƒvƒŒƒC‚ÌŒŸ“¢,
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶Ž, Vol.15 No.4, pp.579-588, 2010”N12ŒŽ.
  • –ŠC‘ñŽuCÔì’q—mCƒ\ƒ“ƒˆƒ“ƒAC’Jì’q—mC‹ËŽRFŽiCœA£’ʍF:
    Thermotaxis: —≷Š´Šo‚Ì’ñŽ¦‚É‚æ‚és“®—U“±,
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶Ž, Vol.15 No.3, pp.347-356, 2010”N9ŒŽ. [VRŠw‰ï˜_•¶ÜŽóÜ]
  • –ŠC‘ñŽuCžwŽR“ցC’Jì’q—mCœA£’ʍF:
    ‰ÂŽ‹Œõ’ʐM‚ð—˜—p‚µ‚½‰ù’†“d“”Œ^ƒCƒ“ƒ^ƒtƒF[ƒX‚É‚æ‚éŽÀ¢ŠEŽwŒüƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“,
    î•ñˆ—Šw‰ï˜_•¶Ž, Vol.50 No.12, pp.2863-2870, 2009”N12ŒŽ.

¡‰ðà‹LŽ–

  • –ŠC‘ñŽuCƒNƒƒXƒ‚[ƒ_ƒ‹’mŠo‚̃Cƒ“ƒ^ƒtƒF[ƒX‰ž—pC‰f‘œî•ñƒƒfƒBƒAŠw‰ïŽC2018D
  • –ŠC‘ñŽuCPseudo-haptics‰ž—pƒCƒ“ƒ^ƒtƒF[ƒX‚Ì“W–]F‹^Ž—G—ÍŠo’ñŽ¦‚©‚ç‚»‚̐æ‚ցCƒVƒXƒeƒ€§Œäî•ñŠw‰ïŽCVol.61 No.11, 2017.
  • –ŠC‘ñŽuC‘½Š´Šo’mŠo‚̍HŠw“I‰ž—pCŠî‘bS—ŠwŒ¤‹†CVol.36 No.1, 2017”N9ŒŽ.
  • ”óŒû^ŽkCœA£’ʍFC–ŠC‘ñŽuF“Á•Êu‰‰ ‘Î’k Œ»ŽÀ (ƒŠƒAƒ‹) ‘Î ‹•\ (ƒo[ƒ`ƒƒƒ‹)C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ïŽCVol21 No.4, pp6-15, 2016.
  • —Ž‡—zˆêCûü‹´½ŽjC–ŠC‘ñŽuC“ìàVF‘¾CˆÀ“¡‰p—RŽ÷F“Á•Êu‰‰ ŽáŽèƒpƒlƒ‹ƒfƒBƒXƒJƒbƒVƒ‡ƒ“ 20 ”NŒã‚Ì VRC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ïŽCVol21 No.4, pp6-15, 2016.
  • –ŠC‘ñŽuFƒfƒBƒWƒ^ƒ‹ƒ~ƒ…[ƒWƒAƒ€‚É‚¨‚¯‚éVR/AR‚Ì—˜—pClH’m”\, Vol.31 No.6, pp.794-799, 2016 ”N11ŒŽD
  • –ŠC‘ñŽuFŠ´ŠoŠÔ‘ŠŒÝì—p‚ÉŠî‚­‚è‚Æ–¡‚ÌŠg’£Œ»ŽÀŠ´CAroma Research, 17(2), pp.127-131.2016 ”N5ŒŽ28“ú
  • _•”Ÿ”VC–ŠC‘ñŽuC²“¡Ž¬C¼‘º–M—TC‰J‹{’q—mCˆä‘º½FC_Œ´½”VF“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï ƒjƒ…[ƒYƒŒƒ^[•ÒWˆÏˆõ‰ï‚Ì20”NC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ïŽ, Vol.21 No.1, pp.128-129, 2016”N3ŒŽD
  • –ŠC‘ñŽuFu“ú–{VR‚̍•—ðŽjv‚ð‚ß‚®‚é–`Œ¯C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ïŽ, Vol.20 No.4, pp.6-17, 2015”N12ŒŽD
  • –ŠC‘ñŽuF“à‘Ÿ‚ƃCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“Cƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ïŽ, Vol.15 No.1, pp.255-258, 2013”N2ŒŽD
  • –ŠC‘ñŽuC’Jì’q—mCœA£’ʍFF•¡‡Œ»ŽÀŒ^ƒfƒWƒ^ƒ‹Eƒ~ƒ…[ƒWƒAƒ€C‰æ‘œƒ‰ƒ{, 2012”N1ŒŽD
  • –ŠC‘ñŽuC’Jì’q—mCœA£’ʍFFŠ´ŠoŠÔ‘ŠŒÝì—p‚ð—˜—p‚µ‚½–¡Šo’ñŽ¦Cî•ñˆ—, Vol.52 No.11, pp.1403-1408, 2011”N11ŒŽD
  • –ŠC‘ñŽuFŠò˜H‚É—§‚ƒ\ƒtƒgƒ[ƒJ[ í—ª“]Š·‚Ì”çØ‚è‚Æ‚È‚éuƒhƒ‰ƒNƒGEDSƒVƒ‡ƒbƒNv (”C“V“°vsƒ\ƒj[--ƒQ[ƒ€‹ÆŠE‚̍U–hí)CƒGƒRƒmƒ~ƒXƒg 85(7), pp.96-97, 2007”N2ŒŽD

¡‘Ð

  • –ŠC‘ñŽuCVR‹Zp‚Æ‘½Š´Šo’mŠoC}à Ž‹Šo‚ÌŽ–“TC“ú–{Ž‹ŠoŠw‰ï •ÒC’©‘q‘“XC2018.
  • –ŠC‘ñŽuCVR‚Ì‚½‚߂̃NƒƒXƒ‚[ƒ_ƒ‹ƒCƒ“ƒ^ƒtƒF[ƒX‹ZpCVR/AR‹Zp‚ÌŠJ”­“®Œü‚ƍŐV‰ž—pŽ–—áC‹Zpî•ñ‹¦‰ïC2018”N
  • –ŠC‘ñŽuCŠ´ŠoŠÔ‘ŠŒÝì—p‚ÉŠî‚­‚èE–¡‚ƐH‘ÌŒ±‚ÌŠg’£CŒûE•@EŽ¨‚ÌŠ´ŠoƒƒJƒjƒYƒ€‚Ɖž—p‹ZpCS&To”ŁC2017”N
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  • Sho Sakurai, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Making Emotion and Decision via Changing Self-perception,
    Emotional Engineering, S. Fukuda. Eds, 4, 2016.
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    Šâ”g‘“X, 2014, ISBN 978-4005007653.
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    PHPƒpƒuƒŠƒbƒVƒ“ƒO, 2012, ISBN 978-4-904302-92-7.
  • Takuji Narumi, Yasushi Hada, Hajime Asama, Kunihiro Tsuji:
    Pedestrian route guidance by projecting moving images,
    published in Multisensor Fusion and Integration for Intelligent Systems, Sukhan Lee, Hanseok Ko and Hernsoo Hahn (Editors), Lecture Notes in Electrical Engineering 35, pp.173-186, Springer-Verlag, 2009, ISBN 978-3-540-89858-0.

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  • Nami Ogawa, Jotaro Shigeyama, Takuji Narumi, and Michitaka Hirose:
    Swinging 3D Lamps: A Projection Technique to Create 3D Illusions on a Static 2D Image,
    SIGGRAPH ASIA 2017 Emerging Technologies, Nov. 2017.
  • Keigo Matsumoto, Takeru Hashimoto, Junya Mizutani, Hibiki Yonahara, Ryohei Nagao, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Magic Table: Deformable Props Using Visuo Haptic Redirection,
    SIGGRAPH ASIA 2017 Emerging Technologies, Nov. 2017.
  • Tatsuki Yamamoto, Jumpei Shimatani, Isamu Ohashi, Keigo Matsumoto, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Mobius Walker: Pitch and Roll Redirected Walking,
    SIGGRAPH ASIA 2017 Emerging Technologies, Nov. 2017.
  • Eisuke Fujinawa, Shigeo Yoshida, Yuki Koyama, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Computational Design of Hand-Held VR Controllers Using Haptic Shape Illusion, VRST2017, Nov. 2017.
  • Hiroyuki Tokushige, Takuji Narumi, Sayaka Ono, Yoshitaka Fuwamoto, Tomohiro Tanikawa, and Michitaka Hirose:
    Trust lengthens decision time on unexpected recommendations in human-agent interaction,
    HAI2017, Oct. 2017. [Best paper award nominee]
  • Ryohei Nagao, Keigo Matsumoto, Takuji Narumi, Tomohiro Tanikawa, and Michitaka Hirose:
    Infinite Stairs: Simulating Stairs in Virtual Reality based on Visuo-haptic Interaction,
    SIGGRAPH2017 Emerging Technologies, July 2017.
  • Takuji Narumi, Yuta Sakakibara, Tomohiro Tanikawa, Michitaka Hirose:
    Attention Sharing in a Virtual Environment Attracts Others,
    HCII2017, July 2017.
  • Taiju Aoki, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Basic study on connecting AR and VR for digital exhibition with mobile devices,
    HCII2017, July 2017.
  • Nami Ogawa, Takuji Narumi, Michitaka Hirose:
    Factors and Influences of Body Ownership over Virtual Hands,
    HCII2017, July 2017.
  • Sho Iwasaki, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Guidance Method to Allow a User Free Exploration with a Photorealistic View in 3D Reconstructed Virtual Environments,
    HCII2017, July 2017.
  • Tomohiro Tanikawa, Junichi Nakano, Shohei Osawa, Takuji Narumi, Michitaka Hiros:
    Reminiscent Window: On-site AR exhibition system for regional community revitalization by archiving and sharing regional cultural resources,
    HCII2017, July 2017.
  • Jotaro Shigeyama, Nami Ogawa, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Presenting pseudo-haptic feedback in immersive VR environment by modifying avatarfs joint angle,
    World Haptics 2017, June 2017.
  • Takuji Narumi, Yusuke Ujitoko, Yuki Ban, Tomohiro Tanikawa, Koichi Hirota and Michitaka Hirose:
    Resistive Swipe: Visuo-Haptic Interaction during Swipe Gestures to Scroll Background Images on Touch Interfaces,
    World Haptics 2017, June 2017.
  • Keita Suzuki, Masanori Yokoyama, Shigeo Yoshida, Takayoshi Mochizuki, Tomohiro Yamada, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    FaceShare: Mirroring with Pseudo-Smile Enriches Video Chat Communications,
    CHI2017, May. 2017.
  • Yuqian Sun, Takuji Narumi, Shigeo Yoshida, Tomohiro Tanikawa and Michitaka Hirose:
    Basic Study for Emotion Regulation Based on a Two-Factor Theory of Emotion,
    ASIAGRAPH2017, May. 2017.
  • Keigo Matsumoto, Takuji Narumi, Yuki Ban, Tomohiro Tanikawa, and Michitaka Hirose:
    Turn physically curved paths into virtual curved paths,
    IEEE VR 2017, Mar. 2017.
  • Shoichi Tagami, Shigeo Yoshida, Nami Ogawa, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Routine++: Implementing Pre-Performance Routine in a Short Time with an Artificial Success Simulator,
    AH2017, Mar. 2017.
  • Nami Ogawa, Takuji Narumi and Michitaka Hirose:
    Distortion in perceived size and body-based scaling in virtual environments,
    AH2017, Mar. 2017.
  • Ryohei Fushimi, Eisuke Fujinawa, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Vibrat-o-matic: producing vibrato effects with EMS,
    AH2017, Mar. 2017.
  • Ryosuke Mita, Toshiki Takeuchi, Tomohiro Tanikawa, Takuji Narumi and Michitaka Hirose:
    Early Warning of Task Failure using Task Processing Logs,
    AH2017, Mar. 2017.
  • Yuki Kinoshita, Masanori Yokoyama, Shigeo Yoshida, Takayoshi Mochizuki, Tomohiro Yamada, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Transgazer: Improving Impression by Switching Direct and Averted Gaze Using Optical Illusion,
    HRI2017, Mar. 2017.
  • Sho Sakurai, Yuki Ban, Toki Katsumura, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Sharing Emotion described as text on the Internet by changing self-physiological perception,
    HAI2016, Oct. 2016.
  • Masato Nomiyama, Toshiki Takeuchi, Hiroyuki Onimaru, Tomohiro Tanikawa, Takuji Narumi,and Michitaka Hirose:
    Travel planning system considering experience flows based on driving histories,
    In Proceedings of the 2016 ACM International Joint Conference on Pervasive and Ubiquitous Computing: Adjunct, p.177-180, Sep. 2016.
  • Ryohei Tanaka, Takuji Narumi, Tomohiro Tanikawa, and Michitaka Hirose: Guidance Field: Vector Field for Implicit Guidance in Virtual Environments, SIGGRAPH 2016 Emerging Technologies, July 2016.
  • Keigo Matsumoto, Yuki Ban, Takuji Narumi, Yohei Yanase, Tomohiro Tanikawa, and Michitaka Hirose: Unlimited Corridor: Redirected Walking Techniques using Visuo Haptic Interaction, SIGGRAPH 2016 Emerging Technologies, July 2016.
  • Sho Sakurai, Yuki Ban, Nami Ogawa, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Diminished Agency: Attenuating a sense of agency for problem finding on personal physical performance,
    HCII2016, July 2016.
  • Tomohiro Tanikawa, Rihito Hashido, Takuji Narumi, Michitaka Hirose:
    Livelog: Sensing and inducing Japanese idol fan activities with smartphone,
    HCII2016, July 2016.
  • Sohei Osawa, Ryohei Tanaka, Junichi Nakano, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Crowd-Cloud Window to the Past: Constructing a Photo Database for On-Site AR Exhibitions by Crowdsourcing,
    HCII2016, July 2016.
  • Takuji Narumi, Hiroyuki Yabe, Shunsuke Yoshida, Tomohiro Tanikawa, Michitaka Hirose:
    Encouraging People to Interact with Interactive Systems in Public Spaces by Managing Lines of Participants,
    HCII2016, July 2016.
  • Yuta Sakakibara, Ryohei Tanaka, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Increasing User Appreciation of Spherical Videos by Finger Touch Interaction,
    HCII2016, July 2016.
  • Yuki Kinoshita, Masanori Yokoyama, Keita Suzuki, Takayoshi Mochizuki, Tomohiro Yamada, Sho Sakurai, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Transcendent Telepresence: Tele-communication better than Face to Face interaction,
    HCII2016, July 2016.
  • Nami Ogawa, Yuki Ban, Sho Sakurai, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Metamorphosis Hand: Interactive Experience of Embodying Virtually Transformed Hands,
    Virtual Reality International Conference (VRIC 2016), Mar. 2016.
  • Nami Ogawa, Yuki Ban, Sho Sakurai, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Metamorphosis Hand: Interactive Experience of Embodying Virtually Transformed Hands,
    Laval Virtual ReVolution 2016, Mar. 2016.
  • Ryohei Tanaka, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Guidance Field: Potential Field to Guide Users to Target Locations in Virtual Environments,
    3DUI 2016, pp.39-48, Mar. 2016.
  • Ryohei Tanaka, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Motive Compass: Navigation Interface for Locomotion in Virtual Environments Constructed with Spherical Images,
    3DUI 2016, pp.59-64, Mar. 2016.
  • Keigo Matsumoto, Yuki Ban, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Combining Passive Haptic Cues with Redirected Walking for Improving the Manipulation Techniques,
    3DUI 2016, pp.105-108, Mar. 2016.
  • Yuki Ban, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Evaluation of The Effect of The Visuo-haptic Interaction for The Shape Perception by Measuring The Movement of A Fingertip,
    ASIAGRAPH 2016, Mar. 2016.
  • Taiju Aoki, Sohei Osawa, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Basic Study for Expanding Object Recognition Area in AR Exhibition by Adding Reference Images,
    ASIAGRAPH2016, Mar. 2016.
  • Keita Suzuki, Masanori Yokoyama, Yuki Kinoshita, Takayoshi Mochizuki, Tomohiro Yamada, Sho Sakurai, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Enhancing Effect of Mediated Social Touch between Same Gender by Changing Gender Impression,
    Augmented Human 2016, Feb. 2016. [Third Best Paper AwardŽóÜ]
  • Akira Nomoto, Yuki Ban, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Supporting precise manual-handling task using visuo-haptic interaction,
    Augmented Human 2016, Feb. 2016.
  • Nami Ogawa, Yuki Ban, Sho Sakurai, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Metamorphosis Hand: Dynamically Transforming Hands,
    Augmented Human 2016, Feb. 2016.
  • Tomohiro Tanikawa, Hidenori Uzuka, Takuji Narumi and Michitaka Hirose:
    Integrated View-Input AR Interaction for Virtual Object Manipulation using Tablets and Smartphones,
    ACE2015, Nov. 2015.
  • Sho Sakurai, Takuji Narumi, Yuki Ban, Tomohiro Tanikawa, and Michitaka Hirose:
    CalibraTable: Tabletop System for Influencing Eating Behavior,
    SIGGRAPH ASIA 2015 Emerging Technologies, 2015.
  • Yusuke Ujitoko, Yuki Ban, Takuji Narumi, Tomohiro Tanikawa, Koichi Hirota and Michitaka Hirose:
    Yubi-Toko: Finger Walking in Snowy Scene using Pseudo-haptic technique on Touchpad,
    SIGGRAPH ASIA 2015 Emerging Technologies, 2015.
  • Naoya Okada, Naoto Nakazato, Toshiki Takeuchi, Takuji Narumi, Tomohiro Tanikawa, and Michitaka Hirose: Interactive interface for expressway travel planning with traffic predictions. In Proceedings of the 2015 ACM International Joint Conference on Pervasive and Ubiquitous Computing and Proceedings of the 2015 ACM International Symposium on Wearable Computers, pp. 13-16, Sep. 2015.
  • Ryohei Tanaka, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Attracting userfs attention in spherical image by angular shift of virtual camera direction,
    SUI2015, pp.61-64, Aug. 2015.[ACM SUI2015 Short paper honorable mentionŽóÜ]
  • Yuki Ban, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Air Haptics: Displaying feeling of contact with AR object using visuo-haptic interaction,
    SIGGRAPH 2015 Emerging Technoligies, Aug.2015.
  • Sho Sakurai, Takuji Narumi, Toki Katsumura, Tomohiro Tanikawa and Michitaka Hirose:
    Basic study of Evoking An Emotion through Extending One's Body Image by Integration of Internal Sense and External Sense,
    HCII2015, Aug. 2015.
  • Eiji Suzuki, Takuji Narumi, Sho Sakurai, Tomohiro Tanikawa and Michitaka Hirose:
    Changing Drinking Behavior and Beverage Consumption Using Augmented Reality,
    HCII2015, Aug. 2015.
  • Sho Sakurai, Eisuke Fujinawa, Mashiko Izumi, Takuji Narumi, Osamu Houshuyama, Tomohiro Tanikawa and Michitaka Hirose:
    Induction of human behavior by presentation of environmental acoustics,
    In Human Interface and the Management of Information. Information and Knowledge Design, pp. 582-594, Springer International Publishing, Aug. 2015.
  • Tomohiro Tanikawa, Ryo Kiyama, Kanji Ohara, Takuji Narumi and Michitaka Hirose: Virtual Bogie: Exhibition System to understand Mechanism of Bogie with Digital Display Case,
    HCII2015, Aug. 2015.
  • Yuki Ban, Takashi Kajinami, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Virtual Jizai-Ryu: Hi-fidelity Interactive Virtual Exhibit with Digital Display Case,
    HCII2015, Aug. 2015.
  • Naoya Okada, Jun Imura, Takuji Narumi, Tomohiro Tanikawa, and Michitaka Hirose: Manseibashi Reminiscent Window: On-Site AR Exhibition System Using Mobile Devices. In Distributed, Ambient, and Pervasive Interactions, pp. 349-361, Springer International Publishing, 2015.
  • Toshiki Takeuchi, Tatsuya Fujii, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Considering Individual Taste in Social Feedback to Improve Eating Habits,
    7th Workshop on Multimedia for Cooking and Eating Activities (CEAf15), pp.1-6, June 2015.
  • Sho Sakurai, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    A Proposal of A Game Controller for Evoking Emotion by Creating An Illusion of Perception of Onefs Bodily Response around Hand,
    ASIAGRAPH 2015, April 2015.
  • Yuki Ban, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Modifying a body perception and an actual motion by visual stimuli of distorted physical exercise using shadow metaphor,
    ASIAGRAPH 2015, April 2015.
  • Yuki Ban, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    MagicPot360: Free Viewpoint shape Display Modifying the Perception of shape,
    IEEE VR 2015 Demos, Mar. 2015. [IEEE VR 2015 Best Demo AwardŽóÜ]
  • Junichi Nakano, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Implementation of on-site virtual time machine for mobile devices,
    IEEE VR 2015, Mar. 2015.
  • Yuki Ban, Takashi Kajinami, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    High-Definition Digital Display Case with the Image-based Interaction,
    IEEE VR 2015, Mar. 2015.
  • Takanori Uzuka, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Integrated View-Input Interaction Method for Mobile AR, 3DUI 2015, Mar. 2015.
  • Yuki Ban, Sho Sakurai, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Improving Work Productivity by Controlling the Time Rate Displayed by the Virtual Clock,
    Augmented Human 2015, pp.25-32, Mar. 2015.
  • Sho Sakurai, Yuki Ban, Toki Katsumura, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Communious Mouse: A Mouse Interface to Experience Emotion in Remarks on The Web by Extending and Modulating Onefs Body Image,
    SIGGRAPH Asia 2014 Emerging Technologies, Article No. 4, Dec. 2014.
  • Yuki Ban, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Displaying shapes with various types of surfaces using visuo-haptic interaction,
    20th ACM Symposium on Virtual Reality Software and Technology, pp.191-196, Nov. 2014.
  • Chie Suzuki, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Affecting Tumbler: Affecting our flavor perception with thermal feedback,
    11th Advances in Computer Entertainment Technology Conference (ACE2014), Nov. 2014. [ACE Gold Paper AwardŽóÜ]
  • Toshiki Takeuchi, Tatsuya Fujii, Kyohei Ogawa, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Using Social Media to Change Eating Habits without Conscious Effort,
    CEA2014, pp.527-535, Sep. 2014.
  • Naoto Nakazato, Takuji Narumi, Toshiki Takeuchi, Tomohiro Tanikawa, Kyohei Suwa, and Michitaka Hirose:
    Influencing driver behavior through future expressway traffic predictions,
    Proceedings of the 2014 ACM International Joint Conference on Pervasive and Ubiquitous Computing: Adjunct Publication, pp. 127-130, Sep. 2014.
  • Sho Sakurai, Toki Katsumura, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Evoking Emotions in a Story Using Tactile Sensations as Pseudo-body Responses with Contextual Cues,
    Human Interface and the Management of Information. Information and Knowledge Design and Evaluation. Springer International Publishing, pp.241-250, July 2014.
  • Takuji Narumi, Hiroshi Ohara, Ryo Kiyama, Tomohiro Tanikawa and Michitaka Hirose:
    Switching the Level of Abstraction in Digital Exhibitions to Provide an Understanding of Mechanisms,
    Human Interface and the Management of Information. Information and Knowledge in Applications and Services. Springer International Publishing, pp.567-576, July 2014.
  • Tomohiro Tanikawa, Jun Imura, Takuji Narumi and Michitaka Hirose:
    Manseibashi Reminiscent Window: Reliving Past Scene Experience System by using User's Own Devices,
    HCII2014, July 2014.
  • Sho Sakurai, Toki Katsumura, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Evoking Emotions by Presenting Pseudo-Bodily Responses and a Contextual Cue,
    ASIAGRAPH 2014 in Bali Posters, April 2014.
  • Eiji Suzuki, Takuji Narumi, Sho Sakurai, Tomohiro Tanikawa and Michitaka Hirose:
    Illusion Cup: Interactive Controlling of Beverage Consumption Based on an Illusion of Volume Perception,
    Augmented Human 2014, Mar. 2014.
  • Yuki Taima, Yuki Ban, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Controlling Fatigue while Lifting Objects using Pseudo-haptics in a Mixed Reality Space,
    Haptics Symposium 2014, pp.175-180, Feb. 2014.
  • Yuki Ban, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Controlling Perceived Stiffness of Pinched Objects Using Visual Feedback of Hand Deformation,
    Haptics Symposium 2014, pp.557-562, Feb. 2014.
  • Arata Kokubun, Yuki Ban, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Representing Normal and Shearing Forces on the Mobile Device with Visuo-haptic Interaction and a Rear Touch Interface,
    Haptics Symposium 2014, pp.415-420, Feb. 2014.
  • Naoto Nakazato, Shigeo Yoshida, Sho Sakurai, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Smart Face: Enhancing Creativity During Video Conferences using Real-time Facial Deformation,
    ACM CSCW 2014, pp.75-83, Feb. 2014.
  • Takuji Narumi:
    Augmenting Human Experience with Perception-Based Displays Utilizing Illusions,
    IDW'13, Dec. 2013
  • Arata Kokubun, Yuki Ban, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    ARAtouch: Visuo-haptic Interaction with Mobile Rear Touch Interface,
    ACM SIGGRAPH ASIA 2013 Emerging Technologies, 2, Nov. 2013.
  • Sho Sakurai, Toki Katsumura, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Comix: beyond: Evoking Multiple Emotions using Pseudo Body Responses Depending on the Context,
    ACM SIGGRAPH ASIA 2013 Emerging Technologies, 3, Nov. 2013.
  • Toshiki Takeuchi, Kyohei Suwa, Hiroto Tamura, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    A Task-Management System using Future Prediction Based on Personal Lifelogs and Plans,
    Ubicomp 2013, pp.235-238, Oct. 2013.
  • Shigeo Yoshida, Sho Sakurai, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Incendiary reflection: evoking emotion through deformed facial feedback,
    SIGGRAPH 2013 Talks, July 2013.
  • Shigeo Yoshida, Sho Sakurai, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Incendiary reflection: evoking emotion through deformed facial feedback,
    SIGGRAPH 2013 Emerging Technologies, 8:1, July 2013.
  • Arata Kokubun, Yuki Ban, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Visuo-haptic interaction with mobile rear touch interface,
    SIGGRAPH 2013 Posters, 38:1, July 2013.
  • Yuki Ban, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Pot the magic pot: interactive modification of the perceived angular shape,
    SIGGRAPH 2013 Posters, 37:1, July 2013.
  • Takuji Narumi, Torahiko Kasai, Takumi Honda, Kunio Aoki, Tomohiro Tanikawa, Michitaka Hirose:
    Digital Railway Museum: An Approach to Introduction of Digital Exhibition Systems at the Railway Museum,
    HCII2013, July 2013.
  • Tomohiro Tanikawa, Takuji Narumi, Michitaka Hirose:
    Mixed Reality Digital Museum Project,
    In Human Interface and the Management of Information. Information and Interaction for Learning, Culture, Collaboration and Business, pp. 248-257, Springer Berlin Heidelberg, July 2013.
  • Sho Sakurai, Takuji Narumi, Yuki Ban, Tomohiro Tanikawa, Michitaka Hirose:
    Affecting Our Perception of Satiety by Changing The Size of Virtual Dishes Projected with a Tabletop Display,
    HCII2013, July 2013.
  • Yuki Ban, Takuji Narumi, Tatsuya Fujii, Sho Sakurai, Jun Imura, Tomohiro Tanikawa and Michitaka Hirose:
    Augmented Endurance: Controlling Fatigue while Handling Objects by Affecting Weight Perception using Augmented Reality,
    CHI2013, pp.69-78, April 2013.
  • Takuya Arakawa, Kazuhiro Kasada, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Augmented Reality System for Overlaying a Scene in a Video onto Real World and Reliving the Camera Operator's Experience,
    IEEE VR 2013, pp.35-42, Mar. 2013.
  • Kazuya Murakami, Ryo Kiyama, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    A Wearable Augmented Reality System with Haptic Feedback and Its Performance in Virtual Assembly Tasks,
    3DUI 2013, Mar. 2013.
  • Shigeo Yoshida, Sho Sakurai, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Manipulation of an Emotional Experience by Real-time Deformed Facial Feedback,
    Augmented Human 2013, pp.35-42, Mar. 2013.
  • Yuki Ban, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Modifying an Identified Position of Edged Shapes Using Pseudo-Haptic Effects,
    The 18th ACM symposium on virtual reality software and technology (VRST2012), pp.93-96, Dec. 2012.
  • Takuji Narumi, Yuki Ban, Tomohiro Tanikawa and Michitaka Hirose:
    Augmented Satiety: Interactive Nutritional Intake Controller,
    SIGGRAPH Asia 2012 Emerging Technologies, 3:1-3, Nov. 2012.
  • Sho Sakurai, Toki Katsumura, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Interactonia Balloon,
    SIGGRAPH Asia 2012 Emerging Technologies, Nov. 2012.
  • Tomohiro Tanikawa, Yuma Muroya, Takuji Narumi and Michitaka Hirose:
    Reflex-based Navigation by Inducing Self-motion Perception with Head-Mounted Vection Display,
    ACE2012, pp.398-405, Nov. 2012.
  • Masamichi Ueta, Osamu Hoshuyama, Takuji Narumi, Sho Sakurai, Tomohiro Tanikawa and Michitaka Hirose:
    Juke Cylinder: Sound Image Augmentation to Metamorphose Hands into a Musical Instrument,
    ACE2012, pp. 453-460,Nov. 2012.
  • Kyohei Ogawa, Yukari Hori, Toshiki Takeuchi, Takuji Narumi, Tomohiro Tanigawa and Michitaka Hirose:
    Table Talk Enhancer: Communication visualizing system for enhancing and balancing utterance rates,
    4th Workshop on Multimedia for Cooking and Eating Activities (CEA2012), pp.25-30, Oct. 2012.
  • Yuki Ban, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Modifying an Identified Size of Objects Handled with Two Fingers Using Pseudo-Haptic Effects,
    Joint Virtual Reality Conference of ICAT - EGVE - EuroVR 2012, pp.1-8, Oct. 2012. [Best Paper AwardŽóÜ]
  • Sho Sakurai, Yuki Ban, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Augmented Dining Table for Affecting Our Food Consumption,
    Joint Virtual Reality Conference of ICAT - EGVE - EuroVR 2012, Oct. 2012.
  • Sho Sakurai, Shigeo Yoshida, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Psynteraction Chair: A proposal of a system for induction of interpersonal behavior by using comic book images as ambient information,
    The 18th International Conference on Virtual Systems and Multimedia, pp.549-552, Sep. 2012.
  • Takuya Arakawa, Kazuhiro Kasada, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Reliving Video Experience with Mobile Devices,
    The 18th International Conference on Virtual Systems and Multimedia, pp.581-584, Sep. 2012.
  • Totaro Nakashima, Toshiki Takeuchi, Kunihiro Nishimura, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Recording and Superimposing Visitors in a Museum for Sharing Exhibition Experiences,
    The 18th International Conference on Virtual Systems and Multimedia, pp.569-572, Sep. 2012.
  • Ryo Kiyama, Takashi Kajinami, Masamichi Ueta, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Digital Display Case to Convey Dynamic Mechanisms of Exhibits,
    The 18th International Conference on Virtual Systems and Multimedia, pp.299-306, Sep. 2012.
  • Yuki Ban, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Magic Pot: Interactive Metamorphosis of the Perceived Shape,
    SIGGRAPH 2012 Emerging Technologies, 14:1, Aug. 2012.
  • Masamichi Ueta, Osamu Hoshuyama, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    JUKE Cylinder: a device to metamorphose hands to a musical instrument,
    SIGGRAPH 2012 Emerging Technologies, Aug. 2012.
  • Yuki Ban, Takashi Kajinami, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Modifying an Identified Angle of Edged Shapes Using Pseudo-Haptic Effects,
    EuroHaptics 2012, pp. 25-36, June 2012.
  • Takuji Narumi, Yuki Ban, Takashi Kajinami, Tomohiro Tanikawa and Michitaka Hirose:
    Augmented Perception of Satiety: Controlling Food Consumption by Changing Apparent Size of Food with Augmented Reality,
    CHI2012, pp.109-118, May 2012.
  • Yuki Ban, Takashi Kajinami, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose: Modifying an Identified Curved Surface Shape Using Pseudo-Haptic Effect, The 2012 IEEE Haptics Symposium (HAPTICS2012), pp.211-216, Mar. 2012.
  • Sho Sakurai, Shigeo Yoshida, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Intra-expo: Augmented Emotion By Superimposing Comic Book Images,
    The 21st International Conference on Artificial Reality and Telexistence 2011 (ICAT2011), Nov. 2011.
  • Kentaro Kimura, Osamu Hoshuyama, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Sound-Power Visualization System for Real-World Interaction Based on Ultrasonic Power Transmission,
    ACM International Conference on Advances in Computer Entertainment Technology 2011 (ACE2011), 60:1-8, Nov. 2011.
  • Sho Sakurai, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Augmented Emotion by Superimposing Depiction in Comics,
    ACM International Conference on Advances in Computer Entertainment Technology 2011 (ACE2011), Nov. 2011.
  • Toshiki Takeuchi, Totaro Nakashima, Kunihiro Nishimura, Tomohiro Tanikawa, Takuji Narumi and Michitaka Hirose:
    PRIMA --A System for Interaction among Different Time Using Multiple Kinect Sensors --,
    ASIAGRAPH 2011 in Tokyo Proceedings, Vol.5, No.1, p.110, Tokyo (2011.10.20-22)
  • Michitaka Hirose, Tomohiro Tanikawa, Takuji Narumi:
    Digital Museum Project - Application of Virtual Reality for Museum Exhibits,
    5th International Universal Communication Symposium (IUCS2011), pp.23-26, Oct. 2011.
  • Yuki Ban, Takashi kajinami, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Basic study on the visual-haptic system to give a sense of shape using pseudo-haptic effects,
    i-Perception 2(8) 851, Oct. 2011.
  • Yuki Ban, Takashi Kajinami, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hitrose:
    Meta-ryoshka: Haptic lllusion on Perceving Shape,
    SIGGRAPH 2011 Posters, August 9-11, 2011.
  • Takuji Narumi, Oribe Hayashi, Kazuhiro Kasada, Mitsuhiko Yamazaki, Tomohiro Tanikawa and Michitaka Hirose:
    Digital Diorama: AR Exhibition System to Convey Background Information for Museums,
    In Virtual and Mixed Reality-New Trends, pp.76-86, Springer Berlin Heidelberg, July 2011.
  • Takuji Narumi, Shinya Nishizaka, Takashi Kajinami, Tomohiro Tanikawa and Michitaka Hirose:
    Meta Cookie: An Illusion-based gustatory display,
    the 14th International Conference on Human-Computer Interaction (HCI International 2011), pp.260-269, July 2011.
  • Tomohiro Tanikawa, Aiko Nambu, Takuji Narumi, Kunihiro Nishimura and Michitaka Hirose:
    Olfactory Display Using Visual Feedback Based on Olfactory Sensory Map,
    the 14th International Conference on Human-Computer Interaction (HCI International 2011), pp.280-289, July 2011.
  • Takashi Kajinami, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Digital Display Case Using Non-contact Head Tracking,
    the 14th International Conference on Human-Computer Interaction (HCI International 2011), pp.250-259, July 2011.
  • Takafumi Watanabe, Kenji Inose, Makoto Ando, Takashi Kajinami, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Digital Display Case: A Study on the Realization of a Virtual Transportation System for a Museum Collection,
    the 14th International Conference on Human-Computer Interaction (HCI International 2011), pp.206-214, July 2011.
  • Takuji Narumi, Shinya Nishizaka, Takashi Kajinami, Tomohiro Tanikawa and Michitaka Hirose:
    Augmented Reality Flavors: Gustatory Display Based on Edible Marker and Cross-Modal Interaction,
    CHI2011, pp.93-102, May 2011.
  • Takuji Narumi, Takashi Kajinami, Shinya Nishizaka, Tomohiro Tanikawa and Michitaka Hirose:
    Pseudo-Gustatory Display System Based on Cross-Modal Integration of Vision, Olfaction and Gustation,
    IEEE VR 2011, Mar. 2011.
  • Masaaki Miyaura, Takuji Narumi, Kunihiro Nishimura, Tomohiro Tanikawa and Michitaka Hirose:
    Olfactory Feedback System to Improve the Concentration Level Based on Biological Information,
    IEEE VR 2011, pp.139-142, Mar. 2011.
  • Takuji Narumi, Shinya Nishizaka, Takashi Kajinami, Tomohiro Tanikawa and Michitaka Hirose:
    MetaCookie+,
    IEEE VR 2011 Research Demo, pp.265-266, Mar. 2011.
  • Shinya Nishizaka, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Detection of Divided Planar Object for Augmented Reality Applications,
    IEEE VR 2011 Posters, pp.231-232, Mar. 2011. [Best Poster AwardŽóÜ]
  • Shinya Nishizaka, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Detection of Divided Planar Object for Augmented Reality Applications,
    IEEE VR 2011 Research Demo, pp.267-268, Mar. 2011.
  • Sho Sakurai, Takatsugu Kuriyama, Takuji Narumi, Yasuo Kuniyoshi, Masato Sasaki and Michitaka Hirose:
    weather-vox central: Promotion of Mood Sharing by Extraction of Mood Information from Voice and Presentation to a Shared Space,
    20th International Conference on Artificial Reality and Telexistence (ICAT2010) Posters, Dec. 2010.
  • Takashi Kajinami, Oribe Hayashi, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Digital Display Case: Museum Exhibition System to Convey Background Information about Exhibits,
    The 16th International Conference on Virtual Systems and Multimedia, pp.230-233, Oct. 2010.
  • Toshiki Takeuchi, Masayuki Ono, Yusuke Onojima, Shigeo Yoshida, Kentaro Kimura, Sho Sakurai, Oribe Hayashi, Takuji Narumi, Kunihiro Nishimura, Tomohiro Tanikawa and Michitaka Hirose:
    Visualization of Simultaneous Experiences by Multi Sided Recording of an Event,
    The 16th International Conference on Virtual Systems and Multimedia, Oct. 2010.
  • Toshiki Takeuchi, Takuji Narumi, Kunihiro Nishimura, Tomohiro Tanikawa and Michitaka Hirose:
    Receiptlog Applied to Forecast of Personal Consumption,
    The 16th International Conference on Virtual Systems and Multimedia, Oct. 2010.
  • Mitsuhiko Yamazaki, Kazuhiro Kasada, Oribe Hayashi, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Wide FOV displays for Digital Museum,
    The 16th International Conference on Virtual Systems and Multimedia, Oct. 2010.
  • Oribe Hayashi, Kazuhiro Kasada, Takuji Narumi, Tomohiro Tanikawa and Michitaka Hirose:
    Digital Diorama System for Museum Exhibition,
    the 9th IEEE and ACM International Symposium on Mixed and Augmented Reality (ISMAR 2010) Posters, pp.231-232, Oct. 2010.
  • Takashi Kajinami, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Study on the Synthesis of the Sense of Grasping with Visual Feedback,
    ASIAGRAPH in Tokyo 2010, Oct. 2010.
  • Kazuhiro Kasada, Oribe Hayashi, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    On-site Virtual Time Machine with Navigation to Past Camera Position,
    ASIAGRAPH in Tokyo 2010, Oct. 2010.
  • Shinya Nishizaka, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Edible Marker: The Lack and Occlusion Capable AR Marker for AR Food,
    ASIAGRAPH in Tokyo 2010, Oct. 2010.
  • Takuji Narumi, Takashi Kajinami, Tomohiro Tanikawa, Michitaka Hirose:
    Meta Cookie,
    SIGGRAPH 2010 Emerging Technologies, July 2010.
  • Takuji Narumi, Takashi Kajinami, Tomohiro Tanikawa, Michitaka Hirose:
    Meta Cookie,
    SIGGRAPH 2010 Posters, July 2010. [Student Research Competition Semi-Finalists]
  • Toshiki Takeuchi, Takuji Narumi, Kunihiro Nishimura, Tomohiro Tanikawa, Michitaka Hirose:
    Forecast and Visualization of Future Expenditure With Logging and Analyzing of Receipts,
    SIGGRAPH 2010 Posters, July 2010.
  • Takashi Kajinami, Oribe Hayashi, Takuji Narumi, Tomohiro Tanikawa, Michitaka Hirose:
    Digital Display Case: The Exhibition System for Conveying Background Information,
    SIGGRAPH 2010 Posters, July 2010.
  • Tomohiro Tanikawa, Takashi Kajinami, Kazuhiro Kasada, Oribe Hayashi, Takuji Narumi, Michitaka Hirose:
    Mixed Reality Digital Museum --- Digital Display Case and Digital Diorama,
    ASIAGRAPH 2010 in Shanghai, June 14-16, 2010.
  • Takuji Narumi, Munehiko Sato, Tomohiro Tanikawa, Michitaka Hirose:
    Evaluating Cross-Sensory Perception of Superimposing Virtual Color onto Real Drink: Toward Realization of Pseudo-Gustatory Displays,
    ACM the 1st Augmented Human International Conference, 18, April 2010.
  • Aiko Nambu, Takuji Narumi, Kunihiro Nishimura, Tomohiro Tanikawa, Michitaka Hirose:
    Visual-Olfactory Display Using Olfactory Sensory Map,
    IEEE VR 2010, pp.39-42, Mar. 2010.
  • Takuji Narumi, Tomohiro Akagawa, Young Ah Seong, Michitaka Hirose:
    An Entertainment System using ThermalFeedback for Increasing Communication and Social Skills,
    The 4th International Conference on E-Learning and Games (Edutainment 2009), Aug. 2009, pp.184-195, Banff, Canada.
  • Takuji Narumi, Tomohiro Akagawa, Young Ah Seong, Michitaka Hirose:
    Thermotaxis,
    ACM SIGGRAPH Posters, Aug. 2009.
  • Takuji Narumi, Tomohiro Akagawa, Young Ah Seong, Michitaka Hirose:
    Characterizing the Space by Thermal Feedback through a Wearable Device,
    HCI International 2009, pp.355-364, July 2009.
  • Tomohiro Akagawa, Takuji Narumi, Young Ah Seong, Takashi Kiriyama:
    Characterizing the Space by Presenting Non-Visual Information,
    4th International Symposium on Location and Context Awareness (LoCA2009), pp.271-282, May 2009.
  • Young Ah Seong, Takuji Narumi, Tomohiro Akagawa:
    Thermotaxis,
    The proceedings of Virtual Reality International Conference 2009 (VRIC'09), Laval Virtual ReVolution 2009, April 2009.
  • Takuji Narumi, Tomohiro Akagawa, Young Ah Seong, Michitaka Hirose:
    Absolute Field: Proposal for a Re-configurable Spatial Structure,
    ACM International Conference on Advances in Computer Entertainment Technology (ACE2008), pp.67-70, Dec. 2008.
  • Takuji Narumi, Tomohiro Akagawa, Young Ah Seong, Michitaka Hirose:
    Absolute Field - The space reconstructed by memories of the people,
    ASIAGRAPH in Tokyo 2008, 2008.
  • Hiroko Nozawa, Takuji Narumi, Kunihiro Nishimura, Michitaka Hirose:
    Heart-Beat Invader - Game Design to Promote Communication Between Two Users,
    ASIAGRAPH in Tokyo 2008, Vol.2, No.2, pp.230-233, 2008.
  • Aiko Nambu, Takuji Narumi, Kunihiro Nishimura, Tomohiro Tanikawa, Michitaka Hirose:
    A Study of Providing Colors to Change Olfactory Perception - Using "flavor of color",
    ASIAGRAPH in Tokyo 2008, Vol.2, No.2, pp.265-268, Oct. 2008.
  • Takuji Narumi, Yasushi Hada, Hajime Asama, Kunihiro Tsuji:
    Pedestrian route guidance system using moving information based on personal feature extraction,
    IEEE International Conference on Multisensor Fusion and Integration for Intelligent Systems (MFI2008), pp.94-99, Aug. 2008.
  • Hiroko Nozawa, Takuji Narumi, Kunihiro Nishimura, Michitaka Hirose:
    Beat story: life-log system of subjective time using heart beat rate,
    ACM SIGGRAPH 2008 Posters, p.121, 2008.
  • Takuji Narumi, Atsuthi Hiyama, Tomohiro Tanikawa, Michitaka Hirose:
    Mobile interface using visible-light communication technology for pervasive computing environment,
    ACM SIGGRAPH 2008 Posters, Aug. 2008.
  • Aiko Nambu, Takuji Narumi, Kunihiro Nishimura, Tomohiro Tanikawa, Michitaka Hirose:
    nioi cafe: olfactory display system with visual feedback,
    ACM SIGGRAPH 2008 Posters, p.92, Aug. 2008.[Student Research Competition Semi-Finalists]
  • Takuji Narumi, Atsushi Hiyama, Tomohiro Tanikawa, Michitaka Hirose:
    Interaction Design Using Visible Light Communication User Interface for Collaborative ActivityC
    ASIAGRAPH 2008 in Shanghai, June 2008.
  • Takuji Narumi, Atsushi Hiyama, Tomohiro Tanikawa, Michitaka Hirose:
    inter-glow - Multi-user Interaction Using Multiplexed Visible Light Communication User InterfaceC
    ASIAGRAPH 2008 in Shanghai Demo, June 2008.
  • Takuji Narumi, Atsushi Hiyama, Tomohiro Tanikawa, Michitaka Hirose:
    inter-glowC
    SIGGRAPH 2007 Emerging Technologies, Aug. 2007.
  • Takuji Narumi, Atsushi Hiyama, Tomohiro Tanikawa, Michitaka Hirose:
    inter-glowC
    SIGGRAPH 2007 Posters, Aug. 2007.
  • Takuji Narumi, Atsushi Hiyama, Tomohiro Tanikawa, Michitaka Hirose:
    inter-glow: Interaction by Controlling LightC
    ACM International Conference on Advances@in Computer Entertainment Technology 2007 (ACE2007), pp.276-277, June 2007.

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    ƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“2016, 3C60, Mar.2016.
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    ƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“2012, Mar.2012.
  • ‹g“c¬˜N, –ŠC‘ñŽu, ‹´–{’¼, ’Jì’q—m, ˆîŒ©¹•F, ŒÜ\—’Œ’•v, œA£’ʍFF
    ƒWƒFƒXƒ`ƒƒ‘€ìŒ^”òsƒƒ{ƒbƒg‚É‚æ‚ég‘̐«‚ÌŠg’£, ƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“2012, Mar. 2012.
  • –ŠC‘ñŽu, ’Jì’q—m, œA£’ʍF:
    Meta Cookie: Šg’£Œ»ŽÀŠ´‚É‚æ‚Á‚Ä–¡‚ª•Ï‰»‚·‚éƒNƒbƒL[,
    ƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“2010, Mar.2010. [ƒxƒXƒgƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒuÜŽóÜ]
  • àV“ckŽiC–ŠC‘ñŽuC—é–؍NLCŽRèr•FC‘ŠàV´°CœA£’ʍF:
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    ƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“2007, pp37-38, Mar.2007.
  • –ŠC‘ñŽu, ‰H“c–õŽj, ŸÇŠÔˆê, ’Ò–M_:
    "ŒÂl‚Ì“Á’¥’Šo‚ð—˜—p‚µ‚½“®“I‚ȉf‘œ‚É‚æ‚é“®ü—U“±"
    ‘æ11‰ñƒƒ{ƒeƒBƒNƒXEƒVƒ“ƒ|ƒWƒA, Mar. 2006.

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    —̈æŒ^ƒo[ƒ`ƒƒƒ‹ƒ^ƒCƒ€ƒ}ƒVƒ“‚É‚æ‚é Œ»Ý‚Ì•—Œi‚ւ̉ߋŽ‚Ì“®‰æ‚̏dô
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï˜_•¶WC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘æ16‰ñ‘å‰ïC32D-5C”ŸŠÙC2011”N9ŒŽD
  • Š”g’, –ŠC‘ñŽu, ’Jì’q—m, œA£’ʍFF
    •¡”ƒvƒƒWƒFƒNƒ^EƒJƒƒ‰ŒõŠwŒn‚ð—˜—p‚µ‚½Æ–¾ðŒ‚܂ōl—¶‚µ‚½—§‘Ì“üo—̓VƒXƒeƒ€‚ÉŠÖ‚·‚éŠî‘b“IŒŸ“¢
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï˜_•¶WC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘æ16‰ñ‘å‰ïC33B-5C”ŸŠÙC2011”N9ŒŽD
  • ”º—SŽ÷, Š”g’, –ŠC‘ñŽu, ’Jì’q—m, œA£’ʍFF
    Ž‹GŠo—Z‡‚ð—˜—p‚µ‚½‰š“Ê‚Ì”z’u‚ÉŠÖ‚·‚é’mŠo‘€ì
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï˜_•¶WC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘æ16‰ñ‘å‰ïC33C-4C”ŸŠÙC2011”N9ŒŽD
  • ‹{‰Y—², –ŠC‘ñŽu, ’Jì’q—m, œA£’ʍFF
    –¡ŠoƒfƒBƒXƒvƒŒƒC‚ÉŠÖ‚·‚錤‹† ‘æŽl•ñ `škŠo-–¡ŠoŠÔƒNƒƒXƒ‚ƒ_ƒŠƒeƒB‚ð—˜—p‚µ‚½–¡ŠoƒfƒBƒXƒvƒŒƒC‚É‚¨‚¯‚éŒûo“à‚Ö‚Ì“õ‚¢’ñŽ¦Žè–@‚Ì•]‰¿`
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï˜_•¶WC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘æ16‰ñ‘å‰ïC33E-2C”ŸŠÙC2011”N9ŒŽD
  • –ŠC‘ñŽuC–q–ì—S–çCŠ”g’C’Jì’q—mCœA£’ʍFF
    ‹[Ž—–¡ŠoƒfƒBƒXƒvƒŒƒC‚Ì‚½‚ß‚ÌŽ‹ŠoEškŠoE–¡ŠoŠÔ‘ŠŒÝì—p‚Ì•]‰¿,
    ƒPƒ~ƒJƒ‹ƒZƒ“ƒTŒ¤‹†‰ï, 2011”N7ŒŽ.
  • ”º—SŽ÷CŠ”g’C–ŠC‘ñŽuC’Jì’q—mCœA£’ʍFF
    Pseudo-Haptics‚ð—˜—p‚µ‚½ŽOŽŸŒ³‹È–Ê‚ÌŒ`ó’mŠo‘€ì‚ÉŠÖ‚·‚éŠî‘b“IŒŸ“¢,
    ƒ}ƒ‹ƒ`ƒƒfƒBƒAE‰¼‘zŠÂ‹«Šî‘bŒ¤‹†‰ï, MVE2011-27 pp.67-72, 2011”N6ŒŽ.
  • ‹{‰Y—², –ŠC‘ñŽu, ’Jì’q—m, œA£’ʍFF
    ì‹ÆŽÒ‚̏ó‘Ô‚ðƒtƒB[ƒhƒoƒbƒN‚·‚é“õ‚¢’ñŽ¦Žè–@C
    ‘æ7 ‰ñ‚è‚Ɛ¶‘̏î•ñŒ¤‹†‰ïC2011”N2ŒŽ.
  • Š}“c˜aGC–ŠC‘ñŽuC’Jì’q—mCœA£’ʍFF
    Œg‘Ñ’[––‚É‚æ‚éŽB‰eˆÊ’u‚Ö‚Ì—U“±‚ð—p‚¢‚½‰ß‹Ž‚ÆŒ»Ý‚̉摜Ú‘±C
    ƒ}ƒ‹ƒ`ƒƒfƒBƒAE‰¼‘zŠÂ‹«Šî‘bŒ¤‹†‰ï, 2011”N1ŒŽD
  • ”º—SŽ÷CŠ”g’C–ŠC‘ñŽuC’Jì’q—mCœA£’ʍFF
    Pseudo-Haptics ‚ð—˜—p‚µ‚½Œ`ó’ñŽ¦‚Ì‚½‚ß‚ÌŽ‹G—ÍŠoƒVƒXƒeƒ€‚ÉŠÖ‚·‚éŠî‘b“IŒŸ“¢C
    ƒ}ƒ‹ƒ`ƒƒfƒBƒAE‰¼‘zŠÂ‹«Šî‘bŒ¤‹†‰ï, 2011”N1ŒŽD
  • –ŠC‘ñŽuCŠ”g’C’Jì’q—mCœA£’ʍFF
    –¡ŠoƒfƒBƒXƒvƒŒƒC‚ÉŠÖ‚·‚錤‹†‘æŽO•ñ@` Š´ŠoŠÔ‘ŠŒÝì—p‚ð—˜—p‚µ‚½ƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒu‚È–¡’ñŽ¦Žè–@‚Ì•]‰¿ `C
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘æ15‰ñ‘å‰ï˜_•¶W, 2010”N9ŒŽ.
  • Š”g’C–ŠC‘ñŽuC’Jì’q—mCœA£’ʍFF
    Ž‹Šo‚ð—p‚¢‚½ˆ¬‚芴Šo‚̐¶¬‚ÉŠÖ‚·‚éŠî‘b“IŒŸ“¢C
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘æ15‰ñ‘å‰ï˜_•¶W, 2010”N9ŒŽ.
  • ¼âMÆC–ŠC‘ñŽuC’Jì’q—mCœA£’ʍFF
    Œ‡‚¯‚╪Š„‚Ȃǂ̕ω»‚É‹­‚­•Ï‰»“à—e‚Ì”FŽ¯‚à‰Â”\‚ÈARƒ}[ƒJ‚Ì’ñˆÄC
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘æ15‰ñ‘å‰ï˜_•¶W, 2010”N9ŒŽ.
  • ŸNˆäãāCŒIŽR‹MŽkC–ŠC‘ñŽuCš ‹gN•vC²X–ؐ³lCœA£’ʍFF
    weather-vox central: ”­˜bŒXŒü‚©‚ç’Šo‚µ‚½‹C•ªî•ñ‚Ì‘ÌŒ±‹¤—L‚̏ê‚Ö‚Ì’ñŽ¦‚É‚æ‚é‹C•ª‹¤—L‘£iC
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘æ15‰ñ‘å‰ï˜_•¶W, 2010”N9ŒŽ.
  • ‹{‰Y—²C–ŠC‘ñŽuC¼‘º–M—TC’Jì’q—mCœA£’ʍFF
    škŠoƒfƒBƒXƒvƒŒƒC‚ð—p‚¢‚½ì‹ÆŽx‰‡C
    ‘æ62‰ñƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ïŒ¤‹†‰ï, 2010”N6ŒŽ.
  • Š}“c˜aGC–ŠC‘ñŽuC’Jì’q—mCœA£’ʍFF
    ŽB‰eˆÊ’u‚Ö‚Ì—U“±‚É‚æ‚é‰ß‹Ž‰f‘œ‚ÆŒ»Ý•—Œi‚̃V[ƒ€ƒŒƒX‚Ȑڑ±C
    ‘æ62‰ñƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ïŒ¤‹†‰ï, 2010”N6ŒŽ.
  • ’|“àr‹MC–ŠC‘ñŽuC¼‘º–M—TC’Jì’q—mCœA£’ʍFF
    ƒŒƒV[ƒgƒƒO‚ƏÁ”ïs“®‚ÉŠÖ‚·‚é–¢—ˆ—\‘ª C
    ‘æ62‰ñƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ïŒ¤‹†‰ï, 2010”N6ŒŽ.
  • Š”g’C—ѐD•”C–ŠC‘ñŽuC’Jì’q—mCœA£’ʍFF
    ƒfƒWƒ^ƒ‹“WŽ¦ƒP[ƒX‚ð—˜—p‚µ‚½”wŒiî•ñ‚ð“`’B‚·‚锎•¨ŠÙ“WŽ¦C
    ‘æ62‰ñƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ïŒ¤‹†‰ï, 2010”N6ŒŽ.
  • Š”g’C—ѐD•”C–ŠC‘ñŽuC’Jì’q—mCœA£’ʍFF
    ƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒu‚ȃfƒWƒ^ƒ‹“WŽ¦ƒP[ƒX‚ÉŠÖ‚·‚éŠî‘b“IŒ¤‹†C
    ‘æ30‰ñ•¡‡Œ»ŽÀŠ´Œ¤‹†‰ï, 2010”N3ŒŽ. [MVEÜŽóÜ]
  • –ŠC‘ñŽuC²“¡@•FC’Jì’q—mCœA£’ʍFF
    –¡ŠoƒfƒBƒXƒvƒŒƒC‚ÉŠÖ‚·‚錤‹†‘æ“ñ•ñ@`ˆù—¿‚ւ̐F‚̏dô‚ð—p‚¢‚½ƒNƒƒXƒ‚[ƒ_ƒ‹‚È–¡’ñŽ¦Žè–@‚Ì•]‰¿`C
    ‘æ30‰ñ•¡‡Œ»ŽÀŠ´Œ¤‹†‰ï, 2010”N1ŒŽ. [SIGMRÜŽóÜ]
  • ’Jì’q—mC–ŠC‘ñŽuCœA£’ʍFF
    škŠoƒfƒBƒXƒvƒŒƒC‚Æ‹óŠÔ—U“±C
    “ú–{‹@ŠBŠw‰ï ‘æ22‰ñƒoƒCƒIƒGƒ“ƒWƒjƒAƒŠƒ“ƒOu‰‰‰ï, 2010”N1ŒŽ.
  • –ŠC‘ñŽu,“ñ–“’q‰h,’Jì’q—m,œA£’ʍFF
    –¡ŠoƒfƒBƒXƒvƒŒƒC‚ÉŠÖ‚·‚錤‹†i‘æˆê•ñjC
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘æ14‰ñ‘å‰ï˜_•¶W, 2009”N9ŒŽ
  • –ŠC‘ñŽu, “ñ–“’q‰h, ¼‘º–M—T, ’Jì’q—m, œA£’ʍFF
    Ž‹Šoî•ñ‚ð—˜—p‚µ‚½–¡ŠoƒfƒBƒXƒvƒŒƒC‚ÉŠÖ‚·‚éŠî‘b“IŒŸ“¢,
    MŠw‹Z•ñ, vol. 109, no. 75, MVE2009-20, pp. 107-112, 2009”N6ŒŽ.
  • ŸNˆäãÄ, –ŠC‘ñŽu, ²X–ؐ³l:
    ‰¹º‰ðÍ‚ÉŠî‚¢‚½Š´î‚ð‰ÂŽ‹‰»‚·‚éŽè–@,
    ‘æ130‰ñƒqƒ…[ƒ}ƒ“ƒRƒ“ƒsƒ…[ƒ^ƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“Œ¤‹†‰ïCŒ¤‹†•ñuƒqƒ…[ƒ}ƒ“ƒRƒ“ƒsƒ…[ƒ^ƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“iHCIjv, No.2008-HCI-130, Vol.2008 No.106, 2008”N10ŒŽ.
  • –ŠC ‘ñŽu, žwŽR “Ö, ’Jì ’q—m, œA£ ’ʍF:
    ƒ‚ƒoƒCƒ‹Œ^‰ÂŽ‹ŒõƒCƒ“ƒ^ƒtƒF[ƒX‚É‚æ‚éŽÀ‹óŠÔƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“,
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï˜_•¶WC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘æ13‰ñ‘å‰ï, “ޗǁC2008”N9ŒŽD
  • “¡–ì ”™, –ŠC ‘ñŽu, ’Jì ’q—m, œA£ ’ʍF:
    ”ñ“¯Šú‚É—Ž‰º‚·‚鐅“H‚ð—p‚¢‚½‹óŠÔ[“UŒ^ƒfƒBƒXƒvƒŒƒC‚̉f‘œ•\Ž¦¸“x‚ÌŒŸ“¢,
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï˜_•¶W, “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘æ13‰ñ‘å‰ï, Vol.13,“ޗǁC2008”N9ŒŽD
  • “ì•” ˆ¤Žq, –ŠC ‘ñŽu, ¼‘º –M—T, ’Jì ’q—m, œA£ ’ʍF:
    Fî•ñ‚ªškŠo‚̈ø‚«ž‚ÝŒø‰Ê‚É—^‚¦‚é‰e‹¿‚ÌŒ¤‹†,
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï˜_•¶WC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘æ13‰ñ‘å‰ï, Vol.13C3B2-3C“ޗǁC2008”N9ŒŽD
  • –ìàV hŽqC–ŠC ‘ñŽuC¼‘º –M—TCœA£ ’ʍFC²‘q “:
    Beat StoryFS”ƒZƒ“ƒT‚ð—p‚¢‚½ŽåŠÏŽžŠÔ‚Ì‹L˜^C
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ïŒ¤‹†•ñCVol.13, No.1-WUVR, pp.16-17, “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï ƒEƒFƒAƒ‰ƒuƒ‹ƒ†ƒrƒLƒ^ƒXŒ¤‹†‰ïC“Œ‹žC2008”N6ŒŽD
  • “ì•” ˆ¤ŽqC–ŠC ‘ñŽuC¼‘º –M—TC’Jì ’q—mCœA£ ’ʍF:
    Ž‹Šo‚̉e‹¿‚ð—˜—p‚µ‚½škŠoƒCƒ“ƒ^ƒtƒF[ƒX‚ÌŒ¤‹†C
    ƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ïŒ¤‹†•ñWCVol.10CNo.2Cpp.37-40Cƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ï ‘æ48‰ñŒ¤‹†‰ïC“Œ‹žC2008”N6ŒŽD
  • “ì•” ˆ¤Žq, –ŠC ‘ñŽu, ¼‘º –M—T, ’Jì ’q—m, œA£ ’ʍF:
    Ž‹Šo‚̉e‹¿‚ð—˜—p‚µ‚½škŠoƒfƒBƒXƒvƒŒƒC‚ÌŒ¤‹†C
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï ‘æ34‰ñƒTƒCƒo[ƒXƒy[ƒX‚Ɖ¼‘z“sŽsŒ¤‹†‰ïC VŠƒC2008”N5ŒŽD
  • –ìàVhŽqC–ŠC‘ñŽuC¼‘º–M—TCœA£’ʍFC²‘q“:
    Beat Story:S”ƒZƒ“ƒT‚ð—p‚¢‚½ŽåŠÏ“I‚ÈŽžŠÔ–§“x‚̉Ž‹‰»C
    î•ñˆ—Šw‰ï ƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“2008CCD-ROMC“Œ‹žC2008”N3ŒŽD
  • –ŠC‘ñŽuCâV“¡ Ž C—é–Ø NLC’Jì ’q—mCœA£ ’ʍFF
    Žž‹ó‚̃J[ƒyƒbƒgC
    “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘æ12‰ñ‘å‰ï,pp.582-585, •Ÿ‰ª, 2007”N 9ŒŽ.
  • –ŠC‘ñŽuCâV“¡Ž C—é–؍NLC’Jì’q—mCœA£’ʍFF
    Žž‹ó‚̃J[ƒyƒbƒgC
    ‘æ3‰ñƒEƒFƒAƒ‰ƒuƒ‹/ƒ†ƒrƒLƒ^ƒXVR Œ¤‹†‰ïƒfƒ‚ƒ“ƒXƒgƒŒ[ƒVƒ‡ƒ“, June 2007.
  • “¡–ì”™C–ŠC‘ñŽuC’Jì’q—mCœA£’ʍFF
    …“H‚ð—p‚¢‚½‹óŠÔ[“UŒ^ƒfƒBƒXƒvƒŒƒC‚Ì‘åŒ^‰»‚ÉŠÖ‚·‚錤‹†C
    ‘æ44‰ñƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ïŒ¤‹†‰ï, June 2007.
  • –ŠC‘ñŽu, ‰H“c–õŽj, ŸÇŠÔˆê, ’Ò–M_:
    "ˆÚ“®‚·‚é‰f‘œ‚É‚æ‚é—U“±ƒT[ƒrƒX‚̃‚ƒfƒ‹‰», "
    @ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï2006, May 2006.
  • –ŠC‘ñŽu, ‰H“c–õŽj, ŸÇŠÔˆê, ’Ò–M_:
    ŒÂl‚Ì“Á’¥‚ð—˜—p‚µ‚½“®‚­‰f‘œ‚É‚æ‚é“®ü—U“±ƒVƒXƒeƒ€,
    Œv‘ªŽ©“®§ŒäŠw‰ï(SICE)ƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–僂[ƒVƒ‡ƒ“ƒƒfƒBƒA’²¸Œ¤‹†‰ï ‘æ2‰ñƒ‚[ƒVƒ‡ƒ“ƒƒfƒBƒAƒRƒ“ƒeƒ“ƒcƒRƒ“ƒeƒXƒg(2006).
  • –ŠC‘ñŽu, ‰H“c–õŽj, ŸÇŠÔˆê, ’Ò–M_:
    "‰f‘œ’ñŽ¦‚ð—p‚¢‚½“®ü—U“±ŽÀŒ±‚Ì•ªÍ, "
    ‘æ6‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï˜_•¶W, Dec. 2005.[ƒxƒXƒgƒZƒbƒVƒ‡ƒ“ÜŽóÜ]
  • ‰H“c–õŽj, –ŠC‘ñŽu, ŸÇŠÔˆê, ì’[–M–¾, ’Ò–M_:
    "ƒJƒƒ‰‚ð—p‚¢‚½lŠÔ‚Ì“Á’¥’ŠoŒ‹‰Ê‚ÉŠî‚­s“®ƒTƒ|[ƒgŽÀŒ±, "
    ‘æ15‰ñ“ú–{‹@ŠBŠw‰ïÝŒvHŠwEƒVƒXƒeƒ€•”–åu‰‰‰ïu‰‰˜_•¶W, pp. 188-199, Aug. 2005.

¡“WŽ¦

  • 2013”N 10ŒŽ30“ú - 11ŒŽ4“ú,
    ‹g“c¬˜NC–ŠC‘ñŽu, œA£’ʍF, "îî“I‚È‹¾", ƒOƒbƒhƒfƒUƒCƒ“ƒGƒLƒVƒrƒVƒ‡ƒ“C“Œ‹žƒ~ƒbƒhƒ^ƒEƒ“D
  • 2013”N 10ŒŽ24“ú - 26“ú,
    ‹g“c¬˜NCŸNˆäãāC–ŠC‘ñŽu, ’Jì’q—m, œA£’ʍF, "îî“I‚È‹¾", DCEXPO2013C“ú–{‰ÈŠw–¢—ˆŠÙD
  • 2013”N 10ŒŽ1“ú - 5“ú,
    ‘•ªVC”º—SŽ÷, –ŠC‘ñŽu, ’Jì’q—m, œA£’ʍF, "ARAtouch: ”w–ʃ^ƒbƒ`ƒpƒlƒ‹‚ÆŽ‹GŠo—Z‡‚ð—˜—p‚µ‚½ƒ‚ƒoƒCƒ‹Œü‚¯GŠo’ñŽ¦", CEATEC 2013C–‹’£ƒƒbƒZD
  • 2013”N 8ŒŽ21“ú - 23“ú,
    ”º—SŽ÷, –ŠC‘ñŽu, ’Jì’q—m, œA£’ʍF, "Ž‹ŠoGŠoŠÔ‘ŠŒÝì—p‚ð—˜—p‚µ‚½Œ`ó’ñŽ¦ƒVƒXƒeƒ€", CEDEC 2013CƒpƒVƒtƒBƒR‰¡•lD
  • 2013”N 7ŒŽ14“ú - 15“ú,
    ‹g“c¬˜NCŸNˆäãāC–ŠC‘ñŽu, ’Jì’q—m, œA£’ʍF, "îî“I‚È‹¾", ƒo[ƒ`ƒƒƒ‹¢ŠE‘ÌŒ±‰ÄÕ‚èCƒOƒ‰ƒ“ƒtƒƒ“ƒg‘åãD
  • 2013”N 5ŒŽ27“ú,
    ‹g“c¬˜NCŸNˆäãāC–ŠC‘ñŽu, ’Jì’q—m, œA£’ʍF, "îî“I‚È‹¾F•\î•ÏŒ`ƒtƒB[ƒhƒoƒbƒN‚ð—˜—p‚µ‚½Š´îŠ«‹NƒVƒXƒeƒ€", URCF’èŠú‘‰ïC“ú–{‰ÈŠw–¢—ˆŠÙD
  • 2012”N 12ŒŽ6“ú - 8“ú,
    ”º—SŽ÷, –ŠC‘ñŽu, ’Jì’q—m, œA£’ʍF, "Magic Pot", ‘æ25‰ñ “ú–{“àŽ‹‹¾ŠO‰ÈŠw‰ï‘‰ïCƒpƒVƒtƒBƒR‰¡•lD
  • 2012”N 12ŒŽ13“ú,
    –ŠC‘ñŽu, ”º—SŽ÷, ŸNˆäãÄ, ’Jì’q—m, œA£’ʍF, "Šg’£–ž• Š´", ƒiƒŒƒbƒWƒLƒƒƒsƒ^ƒ‹ƒAƒ[ƒhver.0uƒAƒWƒAŠw¶ƒNƒŠƒGƒCƒeƒBƒuEX.vC‘åãŽs’†‰›Œö‰ï“°D
  • 2012”N 12ŒŽ4“ú - 7“ú,
    Takuji Narumi, Yuki Ban, Sho Sakurai, Tomohiro Tanikawa, Michitaka Hirose, "Augmented Satiety", the 19th International Display Workshops / Asia Display 2012 (IDW/AD2012)CKyoto International Conference CenterD
  • 2012”N 10ŒŽ25“ú - 27“ú,
    –ŠC‘ñŽu, ”º—SŽ÷, ’Jì’q—m, œA£’ʍF, "Šg’£–ž• Š´", Digital Content Expo 2012 Innovative TechnologiesC“ú–{‰ÈŠw–¢—ˆŠÙD
  • 2012”N 10ŒŽ5“ú,
    –ŠC‘ñŽu, ”º—SŽ÷, ’Jì’q—m, œA£’ʍF, "Šg’£–ž• Š´",ƒpƒ^[ƒ“”FŽ¯EƒƒfƒBƒA—‰ðŒ¤‹†‰ïC–‹’£ƒƒbƒZD
  • 2012”N 10ŒŽ2“ú - 6“ú,
    ”º—SŽ÷, –ŠC‘ñŽu, ’Jì’q—m, œA£’ʍF, "Magic Pot: Ž‹GŠo—Z‡‚ð—˜—p‚µ‚½ƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒuŒ`ó’ñŽ¦ƒVƒXƒeƒ€", CEATEC2012C–‹’£ƒƒbƒZD
  • 2012”N 6ŒŽ7“ú,
    –ŠC‘ñŽu, ”º—SŽ÷, ’Jì’q—m, œA£’ʍF, "Šg’£–ž• Š´", URCF’èŠú‘‰ïC“ú–{‰ÈŠw–¢—ˆŠÙD
  • 2012”N 1ŒŽ2“ú - 1ŒŽ29“ú,
    "ƒfƒWƒ^ƒ‹“WŽ¦ƒP[ƒX@Ž©Ý’u•¨ —´", “Œ‹ž‘—§”Ž•¨ŠÙ140Žü”N“ÁW’—ñ “VãĂ¯‚é—´, “Œ‹ž‘—§”Ž•¨ŠÙC“Œ‹žD
  • 2011”N 11ŒŽ9“ú - 2012”N 1ŒŽ9“ú,
    "“dŽÔ‚ÌŽv‚¢o‚Ì‚¼‚«‘‹", ƒfƒWƒ^ƒ‹ƒŒ[ƒ‹ƒEƒFƒCƒ~ƒ…[ƒWƒAƒ€, “S“¹”Ž•¨ŠÙC‘å‹{D
  • 2011”N 11ŒŽ9“ú - 2012”N 1ŒŽ9“ú,
    "ƒfƒWƒ^ƒ‹“WŽ¦ƒP[ƒX`‘äŽÔ‚ÅGO!`", ƒfƒWƒ^ƒ‹ƒŒ[ƒ‹ƒEƒFƒCƒ~ƒ…[ƒWƒAƒ€, “S“¹”Ž•¨ŠÙC‘å‹{D
  • 2011”N 11ŒŽ9“ú - 2012”N 1ŒŽ9“ú,
    "Žž‚ð‚©‚¯‚éƒV[ƒg", ƒfƒWƒ^ƒ‹ƒŒ[ƒ‹ƒEƒFƒCƒ~ƒ…[ƒWƒAƒ€, “S“¹”Ž•¨ŠÙC‘å‹{D
  • 2011”N 10ŒŽ20“ú - 22“ú,
    “Œ‹ž‘åŠw@œA£E’JìŒ¤‹†Žº, "PRIMA: •¡”Kinect‚ð—p‚¢‚½ˆÙŽžŠÔƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“ƒVƒXƒeƒ€", Digital Contents Expo 2011, “ú–{‰ÈŠw–¢—ˆŠÙC“Œ‹žD
  • 2011”N 10ŒŽ20“ú - 22“ú,
    “Œ‹ž‘åŠw@œA£E’JìŒ¤‹†Žº, "VITA:Visualization system for Interaction with Transmitted Audio signals", Digital Contents Expo 2011, “ú–{‰ÈŠw–¢—ˆŠÙC“Œ‹žD
  • 2011”N 10ŒŽ4“ú - 8“ú,
    “Œ‹ž‘åŠw@œA£E’JìŒ¤‹†Žº, "PRIMA (Parallel Reality-based Interactive Motion Area)", CEATEC 2011, –‹’£ƒƒbƒZD
  • 2011”N 8ŒŽ26“ú - 28“ú,
    –ŠC ‘ñŽu, Š”g’, ’Jì’q—m, œA£ ’ʍF, "ƒƒ^ƒNƒbƒL[", ƒiƒŒƒbƒWƒLƒƒƒsƒ^ƒ‹ƒgƒ‰ƒCƒAƒ‹2011, “°“‡ƒŠƒo[ƒtƒH[ƒ‰ƒ€C‘åãD
  • 2011”N 6ŒŽ16“ú,
    –ŠC ‘ñŽu, Š”g’, ’Jì’q—m, œA£ ’ʍF, "ƒƒ^ƒNƒbƒL[", URCF’èŠú‘‰ïC“ú–{‰ÈŠw–¢—ˆŠÙD
  • 2011”N 2ŒŽ3“úC
    Takuji Narumi, Takashi Kajinami, Shinya Nishizaka, Tomohiro Tanikawa, Michitaka Hirose, "MetaCookie", After Dark: Get Surreal, Exprolatirium, San Francisco, USAD[µ‘Ò“WŽ¦]
  • 2010”N 12ŒŽ11“úC
    ¼âMÆC–ŠC‘ñŽuCŠ”g’, ’Jì’q—m, œA£’ʍF, "MetaCookie+", IML Open House 2010, “Œ‹ž‘åŠwIMLD
  • 2010”N 10ŒŽ14“ú - 17“ú,
    –ŠC‘ñŽu, ¼âMÆC Š”g’, ’Jì’q—m, œA£’ʍF, "MetaCookie+", ASIAGRAPH in Tokyo 2010, “ú–{‰ÈŠw–¢—ˆŠÙD
  • 2010”N 10ŒŽ14“ú - 17“ú,
    ŽRè[•FC—ѐD•”C–ŠC‘ñŽu, ’Jì’q—m, œA£’ʍF," –Ú‚Æ•@ ‚̐æ@`‹}s”\“oƒ‰ƒXƒgƒ‰ƒ“` ", ASIAGRAPH in Tokyo 2010, “ú–{‰ÈŠw–¢—ˆŠÙD
  • 2010”N 10ŒŽ14“ú - 17“ú,
    Š”g’C–ŠC‘ñŽu, ’Jì’q—m, œA£’ʍF," ƒfƒWƒ^ƒ‹“WŽ¦ƒP[ ƒX", ASIAGRAPH in Tokyo 2010, “ú–{‰ÈŠw–¢—ˆŠÙD
  • 2010”N 8ŒŽ29“ú,
    –ŠC ‘ñŽu, Š”g’, ’Jì’q—m, œA£ ’ʍF, "ƒƒ^ƒNƒbƒL[", –Ï‘z~ƒŠƒAƒŠƒeƒBD[µ‘Ò“WŽ¦]
  • 2010”N 8ŒŽ24“ú - 25“ú,
    –ŠC ‘ñŽu, Š”g’, ’Jì’q—m, œA£ ’ʍF, "ƒƒ^ƒNƒbƒL[", ƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒu“Œ‹ž2010D[µ‘Ò“WŽ¦]
  • 2009”N 10ŒŽ9“ú - 11ŒŽ3“úC
    ƒvƒ‰ƒ“ƒjƒ“ƒOF—é–؍NL@ƒVƒXƒeƒ€F–ŠC‘ñŽuC¼‘º–M—TC’Jì’q—mF "–Ú‚Æ•@‚̐æ," Digital Public Art in Haneda Airport@‹ó‹C‚̍`@`ƒeƒNƒmƒƒW[ ~ ‹ó‹C‚ÅŠ´‚¶‚éV‚µ‚¢¢ŠE`, ‰H“c‹ó`.
  • 2009”N 10ŒŽ9“ú - 11ŒŽ3“úC
    ƒvƒ‰ƒ“ƒjƒ“ƒOF—é–؍NL@ƒVƒXƒeƒ€F–ŠC‘ñŽuCàV“ckŽiF "•—Œ©Œ{‚ÌŽ‹ü," Digital Public Art in Haneda Airport@‹ó‹C‚̍`@`ƒeƒNƒmƒƒW[ ~ ‹ó‹C‚ÅŠ´‚¶‚éV‚µ‚¢¢ŠE`, ‰H“c‹ó`.
  • 2009”N 7ŒŽ27“ú - 31“úC
    yonakani (–ŠC ‘ñŽu + Ôì ’q—m + ƒ\ƒ“ ƒˆƒ“ƒA): "thermotaxis," FILE 2009 installations, Sao Paulo, Brazil.[µ‘Ò“WŽ¦]
  • 2008”N 6ŒŽ11“ú - 16“ú,
    yonakani (–ŠC ‘ñŽu + Ôì ’q—m + ƒ\ƒ“ ƒˆƒ“ƒA): "thermosociety," iii Exhibition extra.
  • 2008”N 4ŒŽ22“ú - 26“ú,
    yonakani (–ŠC ‘ñŽu + Ôì ’q—m + ƒ\ƒ“ ƒˆƒ“ƒA): "thermotaxis," Laval Virtual ReVolution 2009, Laval, France.[µ‘Ò“WŽ¦]
  • 2008”N 12ŒŽ4“ú - 9“ú,
    yonakani (–ŠC ‘ñŽu + Ôì ’q—m + ƒ\ƒ“ ƒˆƒ“ƒA): "thermotaxis," iii Exhibition 10.
  • 2008”N 9ŒŽ4“ú - 9“ú,
    Takuji Narumi, Atsushi Hiyama, Tomohiro Tanikawa and Michitaka Hirose: "inter-glow," Ars Electronica 2008, Campus Exhibition, Linz.[µ‘Ò“WŽ¦]
  • 2008”N 7ŒŽ26“ú - 30“ú,
    “ì•” ˆ¤ŽqC–ŠC ‘ñŽuC¼‘º –M—TC’Jì ’q—mCœA£ ’ʍF: "nioi cafe," —\Š´Œ¤‹†Š2C“ú–{‰ÈŠw–¢—ˆŠÙ, 2008”N7ŒŽ26“ú - 30“ú.
  • 2008”N 6ŒŽ19 - 24“ú,
    yonakani (–ŠC ‘ñŽu + Ôì ’q—m + ƒ\ƒ“ ƒˆƒ“ƒA): "Absolute Field," iii Exhibition 9.
  • 2008”N 6ŒŽ16“ú - 7ŒŽ15“úC
    DPA project + “Œ‹ž‘åŠw œA£E’JìŒ¤‹†Žº + ¼‘º –M—T + –ŠC ‘ñŽu + ²“¡ @•F + ‹´–{ O‘¾˜Y, uSharelog::Fv, Vhƒ^ƒJƒVƒ}ƒ„TimesSquare, 12FCƒŒƒXƒgƒ‰ƒ“ƒYƒp[ƒN. [µ‘Ò“WŽ¦]
  • 2008”N 5ŒŽ17“ú - 18“ú,
    ¼‘º –M—T{–ŠC ‘ñŽu{“Œ‹ž‘åŠw œA£E’JìŒ¤‹†Žº{dpa project, uSharelog::Domev, "gene" at the Roppongi Hills, ˜Z–{–؃qƒ‹ƒYƒAƒŠ[ƒiC˜Z–{–؃qƒ‹ƒYD[µ‘Ò“WŽ¦]
  • 2008”N 5ŒŽ17“ú - 18“ú,
    –ŠC ‘ñŽu{¼‘º –M—T{“Œ‹ž‘åŠw œA£E’JìŒ¤‹†Žº{dpa project, uSharelog::Cubev, "gene" at the Roppongi Hills, ˜Z–{–؃qƒ‹ƒYƒAƒŠ[ƒiC˜Z–{–؃qƒ‹ƒYD[µ‘Ò“WŽ¦]
  • 2008”N 3ŒŽ24“ú,
    –ŠC ‘ñŽu, žwŽR “Ö, ’Jì’q—m, œA£ ’ʍF, "inter-glow", “Œ‹ž‘åŠwî•ñŠwŠÂ•Ÿ•ƒz[ƒ‹—Ž¬‹L”O“WŽ¦ iii exhibition extraD
  • 2008”N 2ŒŽ6“ú - 17“ú,
    –ŠC ‘ñŽu, žwŽR “Ö, ’Jì’q—m, œA£ ’ʍF, "inter-glow", æ’[‹ZpƒVƒ‡[ƒP[ƒX2008D[µ‘Ò“WŽ¦]
  • 2007”N 12ŒŽ18“ú,
    –ŠC ‘ñŽu, žwŽR “Ö, ’Jì’q—m, œA£ ’ʍF, "inter-glow", “Œ‹ž‘åŠw˜AŒgŽ–‹Æ •¶‚Ì‹žE‘å‚¢‚È‚éŠw‚уVƒŠ[ƒY‘æ2 ‰ñuƒA[ƒg‚ƃTƒCƒGƒ“ƒX-‚»‚Ì•sŽv‹c‚ÈŠÖŒW-v[µ‘Ò“WŽ¦]
  • 2007”N 10ŒŽ12“ú - 14“ú,
    –ŠC ‘ñŽuCâV“¡ Ž C —é–Ø NLC’Jì ’q—mCœA£ ’ʍFFŽž‹ó‚̃J[ƒyƒbƒg, ASIAGRAPH 2007 in Tokyo æ’[‹Zp“W.
  • 2007”N 10ŒŽ12“ú - 14“ú,
    —é–Ø NLC–ŠC ‘ñŽuC’Jì ’q—mCœA£ ’ʍFF–؉A‚̃XƒNƒŠ[ƒ“, ASIAGRAPH 2007 in Tokyo æ’[‹Zp“W.
  • 2007”N 10ŒŽ12“ú - 14“ú,
    —é–Ø NLC žwŽR “ցC ”’ˆä Tˆê˜YC–ŠC ‘ñŽuC’Jì ’q—mCœA£ ’ʍFF–ؘR‚ê“ú‚̃fƒBƒXƒvƒŒƒC, ASIAGRAPH 2007 in Tokyo æ’[‹Zp“W.
  • 2007”N 9ŒŽ29“ú - 30“ú,
    –ŠC ‘ñŽu, žwŽR “Ö, ’Jì’q—m, œA£ ’ʍF, "inter-glow", ƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒu“Œ‹ž2007D[µ‘Ò“WŽ¦]
  • 2007”N 7ŒŽ31“ú - 8ŒŽ5“ú,
    —é–Ø ‘¾˜N{–ŠC ‘ñŽu{—é–Ø 从Ñ, "‚Ђ©‚è‚Ì•—", EIZONE2007D[µ‘Ò“WŽ¦]
  • 2007”N 7ŒŽ6“ú - 12“ú,
    —é–Ø ‘¾˜N{–ŠC ‘ñŽu{—é–Ø 从Ñ, "‚Ђ©‚è‚Ì•—", iii exhibition 7D
  • 2007”N 6ŒŽ4“ú - 9“ú,
    —é–Ø ‘¾˜N{–ŠC ‘ñŽu{—é–Ø 从Ñ, "‚Ђ©‚è‚Ì•—", “Œ‹ž‘åŠw‘n—§130 Žü”N‹L”OŽ–‹Æ Thinking ForestD
  • 2007”N 5ŒŽ2“ú - 6“ú,
    –ŠC ‘ñŽuCâV“¡ Ž C —é–Ø NLC’Jì ’q—mCœA£ ’ʍFFŽž‹ó‚̃J[ƒyƒbƒg, DIGITAL PUBLIC ART EXHIBITON –؂ƃfƒWƒ^ƒ‹ ƒeƒNƒmƒƒW[‚ª¶‚ݏo‚·"V‚µ‚¢Ž©‘R"
  • 2007”N 5ŒŽ2“ú - 6“ú,
    —é–Ø NLC–ŠC ‘ñŽuC’Jì ’q—mCœA£ ’ʍFF–؉A‚̃XƒNƒŠ[ƒ“, DIGITAL PUBLIC ART EXHIBITON –؂ƃfƒWƒ^ƒ‹ ƒeƒNƒmƒƒW[‚ª¶‚ݏo‚·"V‚µ‚¢Ž©‘R"
  • 2007”N 5ŒŽ2“ú - 6“ú,
    —é–Ø NLC žwŽR “ցC ”’ˆä Tˆê˜YC–ŠC ‘ñŽuC’Jì ’q—mCœA£ ’ʍFF–ؘR‚ê“ú‚̃fƒBƒXƒvƒŒƒC, DIGITAL PUBLIC ART EXHIBITON –؂ƃfƒWƒ^ƒ‹ ƒeƒNƒmƒƒW[‚ª¶‚ݏo‚·"V‚µ‚¢Ž©‘R"
  • 2006”N 12ŒŽ8“ú - 13“ú,
    –ŠC ‘ñŽuFinter-glow, “Œ‹ž‘åŠw‘åŠw‰@ŠwÛî•ñŠw•{E“Œ‹ž‘åŠw‘åŠw‰@î•ñŠwŠÂƒRƒ“ƒeƒ“ƒc‘n‘¢‰ÈŠwŽYŠw˜AŒg‹³ˆçƒvƒƒOƒ‰ƒ€@‘æ6‰ñ§ì“WD

¡‘•]

  • –ŠC‘ñŽuF
    ’·’Jì•¶—YA•Ÿ•y’‰˜a•ÒwƒRƒ“ƒeƒ“ƒcŠwx,
    ƒRƒ“ƒeƒ“ƒc•¶‰»ŽjŒ¤‹†C‘æ1Šª ‘æ1†C2009”N4ŒŽ
  • –ŠC‘ñŽuF
    ƒeƒŒƒrƒQ[ƒ€‚𑽖ʓI‚É‘¨‚¦‚È‚¨‚·‚«‚Á‚©‚¯‚Æ‚µ‚Ä ‘•]wƒ_ƒ‚È‚à‚̂́Aƒ^ƒ‚É‚È‚é@ƒeƒŒƒr‚âƒQ[ƒ€‚Í“ª‚ð—Ç‚­‚µ‚Ä‚¢‚éx,
    ƒfƒWƒ^ƒ‹ƒQ[ƒ€ŠwŒ¤‹†C‘æ1Šª ‘æ1†Cp86-87, 2007”N3ŒŽ

¡ ‚»‚Ì‘¼u‰‰“™

  • 2017.12.17 ‘æ9‰ñ‘½Š´ŠoŒ¤‹†‰ïC
    ‘½Š´Šo’mŠo‚ªì‚èo‚·ƒŠƒAƒŠƒeƒB
  • 2017.12.14@’ƒ‚í‚ñ‚Ì“’‚©‚çÅV‚̉Ȋw‚ðl‚¦‚éC
    ’ƒ˜q‚Ì“’‚©‚çl‚¦‚éŒÜŠ´‚ÆŽ©•ª
  • 2017.11.17 KYO-SHITSU #16uŠ´Šo‚̃nƒbƒLƒ“ƒOvC
  • 2017.11.10 ƒNƒƒXƒ‚[ƒ_ƒ‹‚ª‘n‚èo‚·’´Œ»ŽÀC
    VR ‘ÌŒ±‚É‚æ‚銴ŠoEs“®EŽ©ŒÈ‚Ì•Ï—e
  • 2017.11.01 ˆóü‹»s‰ï¤‹Æˆóü•”‰ï•×‹­‰ïC
    ŒÜŠ´‚É‘i‚¦‚éƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒB‚̐V“WŠJ
  • 2017.10.13 ‰ÈŠwE‹ZpŒð—¬ƒTƒƒ“ul‚ÌŠ´«‚ð‰ÈŠw‚·‚é |”F’m‰ÈŠw‚Ɛæ’[‹Zp‚Ì—Z‡‚É‚Þ‚¯‚ā|v‘æ4‰ñC
    ‚±‚±‚ë‚ƏãŽè‚ɂ‚«‚ ‚Á‚Ä‚¢‚­‚½‚ß‚ÌVR‹Zp
  • 2017.10.06 ƒNƒƒXƒ‚[ƒ_ƒ‹’mŠo‚̃ƒJƒjƒYƒ€‚Æ‚»‚̉ž—pC
    ŒÜŠ´‚Ì‘ŠŒÝì—p‚ƃNƒƒXƒ‚[ƒ_ƒ‹Œø‰Ê
  • 2017.10.03 ƒ\ƒj[æ’[‹ZpƒZƒ~ƒi[ VR2.0‚̐¢ŠEC
    ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒB‚©‚ç Œ»ŽÀ‚̕ҏW‚Ö
  • 2017.09.30 ‘æˆê‰ñ“÷“÷Šw‰ïƒJƒ“ƒtƒ@ƒŒƒ“ƒXC
    “÷“÷Šw‰ï‚Ö‚ÌŠú‘Ò
  • 2017.09.23 “Œ‹žƒQ[ƒ€ƒVƒ‡ƒEVAQSOƒXƒe[ƒWC
    škŠo‚ÆVR‚Ì–¢—ˆ
  • 2017.09.20@‘æ13‰ñƒNƒƒXƒ‚[ƒ_ƒ‹ƒfƒUƒCƒ“WSC
    ƒNƒƒXƒ‚[ƒ_ƒ‹‚ł‚Ȃ® “¹‹ïE‚©‚炾E‚±‚±‚ë
  • 2017.09.14@FIT2017ƒVƒ“ƒ|ƒWƒEƒ€uƒCƒ“ƒ^[ƒlƒbƒg‚͐S—Šw‚ÉFIT‚·‚é‚©HvC
    ƒIƒ“ƒ‰ƒCƒ“‚Å’²‚ׂé”F’m‚ƍs“®F ƒCƒ“ƒ^ƒtƒF[ƒXŒ¤‹†‚ÌŠÏ“_‚©‚ç
  • 2017.09.12@FIT2017 î•ñ—HŠwŒnŒ¤‹†‰ÈŒ¤‹†100˜A”­C
    Œ¤‹†20˜A”­i–ŠC‘ñŽuj
  • 2017.09.01@CEDEC 2017C
    ¡Œã‚̃Q[ƒ€ƒfƒUƒCƒ“‚É•K{‚ȁwsense of ››x‚Ƃ͉½‚©H
  • 2017.09.01@CEDEC 2017C
    Šw‰ï‚ðƒQ[ƒ€‚ɁI uƒI[ƒKƒiƒCƒYƒhƒQ[ƒ€v‚©‚瓾‚½ƒŠƒAƒ‹¢ŠE‚ł̃Rƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“‚Æ‘ÌŒ±‚̃fƒUƒCƒ“
  • 2017.08.09@H•iƒjƒ…[ƒeƒNƒmƒƒW[Œ¤‹†‰ïC
    ”ü–¡‚µ‚³‚ƃNƒƒXƒ‚[ƒ_ƒ‹`‚»‚ÌŒø‰Ê‚ð’T‚é
  • 2017.07.18@ƒfƒWƒ^ƒ‹ƒ~ƒ…[ƒWƒAƒ€ƒtƒH[ƒ‰ƒ€in”ŸŠÙC
    VR ‚Å•Ï‚¦‚éŒÜŠ´‚ÆŽ©•ª
  • 2017.06.20@"–¢—ˆ‚ւ̃oƒCƒI‹Zp" •×‹­‰ïuƒfƒWƒ^ƒ‹•æ’[ƒƒfƒBƒA‚ƐlH’m”\‚ª‘ñ‚­V‚µ‚¢H‚̐¢ŠEvC
    ƒNƒƒXƒ‚[ƒ_ƒ‹ƒfƒUƒCƒ“‚ōL‚ª‚éH‚ƍ‚è‚ƃo[ƒ`ƒƒƒ‹¢ŠE
  • 2017.06.17@‘æ3‰ñ‚±‚±‚ë‚Ɛg‘Ì‚ÌŠwÛ‰ï‹cC
    VR‚Å•Ï‚¦‚éŒÜŠ´‚ÆŽ©•ª
  • 2017.06.13@‘æ7‰ñAIITƒCƒmƒx[ƒVƒ‡ƒ“ƒfƒUƒCƒ“ƒtƒH[ƒ‰ƒ€C
    ƒNƒƒXƒ‚[ƒ_ƒ‹ƒCƒ“ƒ^ƒtƒF[ƒX‚Æ‘ÌŒ±‚̃fƒUƒCƒ“
  • 2017.05.21@‘æ90‰ñ“Œ‹ž‘åŠwŒÜŒŽÕ ŒöŠJuÀ,
    ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒB‚ª•Ï‚¦‚ég‘́CSCŒ»ŽÀ
  • 2017.04.26@VR‚ÍŽ„‚½‚¿‚ɉ½‚ð‚à‚½‚ç‚·‚Ì‚©H„Ÿ•Ï‚í‚è‚ä‚­ƒŒ»ŽÀiƒŠƒAƒŠƒeƒBj„‚ƁA‚»‚̎Љï“IƒCƒ“ƒpƒNƒg‚ɂ‚¢‚Ä,
    ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒB‚ª•Ï‚¦‚ég‘́CSCŒ»ŽÀ
  • 2017.04.23@JST-Organized Workshop "ICT for care and support of elderly people in hyper aged sosieties" @ASIAGRAPH2017,
    Telepresence & Spatial Interaction for gSuperhuman Teleworkh
  • 2017.03.29@ƒt[ƒhƒeƒbƒNƒ~[ƒgƒAƒbƒvC
    ŒÜŠ´‚É“­‚«‚©‚¯‚é î•ñ‹Zp‚É‚æ‚é H‘ÌŒ±‚ÌŠg’£
  • 2017.03.27@JEITA ƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“ƒfƒUƒCƒ“ê–åˆÏˆõ‰ïu‰‰‰ï,
    ƒNƒƒXƒ‚[ƒ_ƒ‹‚È•\Œ»‚Æ‘ÌŒ±‚̃fƒUƒCƒ“
  • 2017.03.18@IPSJ ONE,
    ’mŠo‚́g•ÒWh‚ÅŒ»ŽÀ‚ð•Ï‚¦‚é
  • 2017.03.04@LIVING LAB HONGO OPEN EVENT,
    H‚ƌ܊´
  • 2016.12.21@í—ª“Iî•ñ’ʐMŒ¤‹†ŠJ”­ƒZƒ~ƒi[2017C
    Ž‹ŠoGŠoŠÔ‚ÌŠ´ŠoŠÔ‘ŠŒÝì—p‚ð—˜—p‚µ‚½Œ`ó“`‘—ƒVƒXƒeƒ€‚ÌŒ¤‹†ŠJ”­
  • 2016.12.15@FMS“Á•Êu‹`C
    Œ»ŽÀ‚ð•ÒW‚¹‚æ
  • 2016.12.15@’ƒ‚í‚ñ‚Ì“’‚©‚çÅV‚̉Ȋw‚ðl‚¦‚éC
    ’ƒ˜q‚Ì“’‚©‚çl‚¦‚éŒÜŠ´‚ÆŽ©•ª
  • 2016.12.14@ƒt[ƒhƒCƒmƒx[ƒ^[ƒYƒ~[ƒgƒAƒbƒvC
    î•ñ‹Zp‚ª•Ï‚¦‚éH‚Ì‘ÌŒ±
  • 2016.11.20@‘æ12‰ñƒNƒƒXƒ‚[ƒ_ƒ‹ƒfƒUƒCƒ“WSC
    Š´Šo‚ÌŒ¸ŽZ‚ōì‚éV‚µ‚¢‘ÌŒ±
  • 2016.11.19@“Œ‹ž‘åŠwŒöŠJuÀC
    wŒ»ŽÀ‚ð•ÒW‚·‚éxƒCƒ“ƒ^ƒtƒF[ƒX
  • 2016.11.16@International Conference on Multimodal Interaction 2016C
    Multi-sensorial virtual reality and augmented human food interaction
  • 2016.10.31@“ú–{Šî‘bS—Šw‰ïS‚ÌŽÀŒ±ƒpƒbƒP[ƒWŠJ”­ˆÏˆõ‰ïƒAƒCƒfƒAƒ\ƒ“2016C
    lŠÔ‚Ì–Ê”’‚³‚ð‘ÌŒ±‚·‚邽‚ß‚Ì‹Zp‚ƃfƒUƒCƒ“
  • 2016.10.30@“ú–{Šî‘bS—Šw‰ïƒVƒ“ƒ|ƒWƒEƒ€u‘½Š´Šo’mŠoŒ¤‹†‚̍őOüvC
    ‘½Š´Šo’mŠoŒ¤‹†‚̍HŠw“I‰ž—p
  • 2016.10.10@“Œ‹žHŒ|‘åŠw@Œ|pŠw•”ƒtƒFƒXƒ^2016@ƒg[ƒNƒZƒbƒVƒ‡ƒ“C
    ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒB‚Ɓ›¢~ 
  • 2016.09.14@“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï20Žü”N‹L”OŠé‰æŽáŽèƒpƒlƒ‹“¢˜_C
    20”NŒã‚ÌVR
  • 2016.09.09@–¢—ˆ‚ðƒfƒUƒCƒ“‚·‚éIdeathon Šg’£‚·‚ég‘́^i‰»‚·‚éIoTC
    IoT‚ÅŠg’£‚·‚ég‘́C•Ï—e‚·‚錻ŽÀ
  • 2016.08.24@CEDEC 2016C
    Ž‹Šo‚¾‚¯‚¶‚á‚È‚¢ ‚±‚ê‚©‚ç‚ÌVRƒVƒXƒeƒ€
  • 2016.07.15@ ‘æ2‰ñg‘̐«ƒƒfƒBƒAƒRƒ“ƒ\[ƒVƒAƒ€C
    Šg’£‚·‚ég‘́C•Ï—e‚·‚錻ŽÀ
  • 2016.07.09@‘æ55‰ñ“ú–{SF‘å‰ïC
    SF“IŠg’£Œ»ŽÀŠ´‹Zp‚ÌŒ»Ý `Œ»ŽÀ‚ð’´‚¦‚éƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒB‚̐¢ŠE`
  • 2016.06.24@uŠ´«v‚Ƃ͉½‚©H ‚»‚±‚©‚ç‚̉ۑè‚ÌŒ©‚‚¯•ûC
    ƒNƒƒXƒ‚[ƒ_ƒ‹‚ÆŠ´«ÝŒv
  • 2016.06.08@‘æ30‰ñlH’m”\Šw‰ï‘å‰ï lH¶–½‰»ŽÐ‰ï‚Ì—˜_‚Ɖž—pOSC
    Reality 2.0: lH¶–½‰»ŽÐ‰ï‚Ì‚½‚߂̍öŠo‰ž—pƒCƒ“ƒ^ƒtƒF[ƒX
  • 2016.03.04@ƒGƒNƒTNext Value ForumC
    ƒRƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“‚Ì‚½‚߂̃NƒƒXƒ‚[ƒ_ƒ‹ÝŒv
  • 2016.02.17@JSTŽÐ‰ï‹ZpŒ¤‹†ŠJ”­ƒZƒ“ƒ^[iRISTEXj‘æ13‰ñŽÐ‰ï‹ZpƒtƒH[ƒ‰ƒ€`V—̈æ‚ÉŠÖ‚·‚éŽÐ‰ï‚Ƃ̑Θb`@l‚Əî•ñ‚̃GƒRƒVƒXƒeƒ€@î•ñ‹Zp‚ªZ“§‚·‚é’´ƒXƒ}[ƒgŽÐ‰ï‚Ì—Ï—‚␧“x‚ðl‚¦‚éC
    ƒpƒlƒ‹ƒfƒBƒXƒJƒbƒVƒ‡ƒ“
  • 2015.12.16@“ú–{‹@ŠBŠw‰ïƒqƒ…[ƒ}ƒ“Eƒ}ƒVƒ“EƒCƒ“ƒ^ƒtƒF[ƒXÝŒvŒ¤‹†‰ïC
    lŠÔ‹@ŠB‹¦’²‚Ì‚½‚߂̃NƒƒXƒ‚[ƒ_ƒ‹ÝŒv
  • 2015.11.15@ƒTƒCƒGƒ“ƒXƒAƒSƒ‰2015 Œ¤‹†100˜A”­C
    Œ¤‹†20˜A”­i–ŠC‘ñŽuj
  • 2015.11.14@‘æ2‰ñƒEƒFƒuƒTƒCƒGƒ“ƒXŒ¤‹†‰ïC
    ƒ\[ƒVƒƒƒ‹Žž‘ã‚̃TƒCƒoƒlƒeƒBƒNƒX
  • 2015.11.08@‘æ7‰ñ‘½Š´ŠoŒ¤‹†‰ïC
    ƒNƒƒXƒ‚[ƒ_ƒ‹ƒfƒUƒCƒ“WS‚Ì‚²Ð‰î
  • 2015.10.19@JEITA Š´«ƒZƒ“ƒVƒ“ƒO‰ž—pƒ[ƒhƒ}ƒbƒv‹Zp•ª‰È‰ïu‰‰‰ïC
    ƒNƒƒXƒ‚[ƒ_ƒ‹ƒCƒ“ƒ^ƒtƒF[ƒX‚ÆŠ´«
  • 2015.08.30@‘æ54‰ñ“ú–{SF‘å‰ïC
    SF“IŠg’£Œ»ŽÀŠ´‹Zp‚ÌŒ»Ý@`’mîˆÓ‚É“­‚«‚©‚¯‚éŠg’£Œ»ŽÀŠ´`
  • 2015.08.24@‘æ15‰ñKƒtƒH[ƒ‰ƒ€C
    ƒNƒƒXƒ‚[ƒ_ƒ‹ƒCƒ“ƒ^ƒtƒF[ƒX‚ƐlŠÔŠg’£
  • 2015.06.12@H‚ƐS—EVRE”]‚̈ӌ©ŒðŠ·‰ï—‹ãB‘åŠw,
    VR‚ƐH‘ÌŒ±
  • 2015.04.27@NTU - UT Virtual Reality Workshop,
    Altering Reality based on Cross-modal Illusions
  • 2015.03.11@Nico Nico Gakkai Beta Singapore Rapid Fire research 100 @ SCIENCE CENTER SINGAPORE,
    Rapid Fire Research 10 (Takuji Narumi)
  • 2014.11.07@‘æ7‰ñ‚è‚Æ–¡‚ÉŠÖ‚·‚éŽYŠwƒtƒH[ƒ‰ƒ€C
    škŠoE–¡Šo‚ƃNƒƒXƒ‚[ƒ_ƒ‹ƒCƒ“ƒ^ƒtƒF[ƒX
  • 2014.09.25@ƒ`[ƒ€‚‚©‚à‚ÆŒ¤‹†Œð—¬‰ï2014C
    ƒNƒƒXƒ‚[ƒ_ƒ‹ƒCƒ“ƒ^ƒtƒF[ƒX‚ƍs“®—U”­Œ^AR
  • 2014.09.04@CEDEC 2014C
    ƒNƒƒXƒ‚[ƒ_ƒ‹‚ð—˜—p‚µ‚½Š´î‚̃fƒUƒCƒ“@`‚ŽŸ‚̐S‚Ì“®‚«‚ðì‚邽‚߂̍HŠw“IŽè–@`
  • 2014.08.29@‘æ7‰ñƒNƒƒXƒ‚[ƒ_ƒ‹ƒfƒUƒCƒ“WSC
    "‚«‚à‚¿"‚ð“®‚©‚·ê‚̃fƒUƒCƒ“‚ƃNƒƒXƒ‚[ƒ_ƒ‹
  • 2014.07.29@d-laboƒZƒ~ƒi[C
    öŠo‚ōK‚¹‚É‚È‚é‹Zp
  • 2014.07.20@‘æ53‰ñ“ú–{SF‘å‰ïC
    ƒŠƒAƒ‹‚ðNH‚·‚éSF“IŠg’£Œ»ŽÀŠ´‹Zp‚ÌŒ»Ý
  • 2014.07.13@ƒfƒWƒ^ƒ‹ƒ~ƒ…[ƒWƒAƒ€ƒtƒH[ƒ‰ƒ€2014 in –kŠC“¹C
    Œ»’n’Ç‘ÌŒ±Œ^“WŽ¦ƒVƒXƒeƒ€uŽv‚¢o‚Ì‚¼‚«‘‹v
  • 2014.05.30@‘æ6‰ñƒNƒƒXƒ‚[ƒ_ƒ‹ƒfƒUƒCƒ“WSC
    ƒNƒƒXƒ‚[ƒ_ƒ‹ƒfƒUƒCƒ“‚ð’T‚é
  • 2013.12.04@IDW'13C
    Augmenting Human Experience with Perception-Based Displays Utilizing Illusions
  • 2013.11.09@UTalkC
    öŠo‚ðì‚èo‚·ƒeƒNƒmƒƒW[
  • 2013.09.30@‘æ1‰ñƒNƒƒXƒ‚[ƒ_ƒ‹ƒfƒUƒCƒ“WSC
    ƒNƒƒXƒ‚[ƒ_ƒ‹ÝŒv’²¸•ª‰È‰ïÝ—§‚Ì‘_‚¢
  • 2013.08.21@CEDEC 2013C
    öŠo‚ð—˜—p‚µ‚½V‚µ‚¢‘ÌŒ±‚̃fƒUƒCƒ“@`Š´ŠoAƒŠƒAƒŠƒeƒBAs“®‚ð•Ï‚¦‚é‹Zp`
  • 2013.03.11@“dŽqî•ñ’ʐMŠw‰ï ƒRƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“ƒNƒIƒŠƒeƒBŒ¤‹†‰ï(CQ)C
    öŠo‰ž—pƒCƒ“ƒ^ƒtƒF[ƒX‚ƌ܊´î•ñ’ʐM
  • 2013.03.06@î•ñˆ—Šw‰ï‘æ75‰ñ‘S‘‘å‰ïuƒjƒRƒjƒRŠw‰ïƒÀFŒ¤‹†‚µ‚Ä‚Ý‚½ƒ}ƒbƒhƒlƒX“Á‘IWvC
    uƒjƒRƒjƒRŠw‰ïƒÀ‚Á‚ĉ½H ƒIƒ‹ƒ^ƒiƒeƒBƒuŠw‰ïH –¢—ˆ‚ÌŠw‰ïH‚»‚à‚»‚àŠw‰ïH `ƒjƒRƒjƒRŠw‰ïƒÀ‚ÆŠw‰ï‚Ì–¢—ˆ‚ð‚Ý‚ñ‚È‚ÅŒê‚é`v
  • 2012.12.28@VR‚Æ’´—ՏꊴŒ¤‹†‰ïC
    öŠo‚ð—˜—p‚µ‚½ƒŠƒAƒŠƒeƒB‚ÌŠg’£
  • 2012.11.30@SIGGRAPH ASIA 2012 Emerging Technologies TalksC
    Augmented Satiety: Interactive Nutritional Intake Controller
  • 2012.11.06@‚—ՏꊴƒfƒBƒXƒvƒŒƒCƒtƒH[ƒ‰ƒ€C
    ŒÜŠ´ƒfƒBƒXƒvƒŒƒC‚ÆŠ´ŠoŠÔ‘ŠŒÝì—p
  • 2012.10.30@AFRV2012C
    JST Cooperative Research Projects with CNRS "Improving the VR experience"
  • 2012.10.05@“dŽqî•ñ’ʐMŠw‰ï ƒpƒ^[ƒ“”FŽ¯EƒƒfƒBƒA—‰ðŒ¤‹†‰ïiPRMUjC
    ŒÜŠ´ƒCƒ“ƒ^ƒtƒF[ƒX‚É‚æ‚éH‘ÌŒ±‚ÌŠg’£
  • 2012.09.18@‘æ5‰ñöŠoƒ[ƒNƒVƒ‡ƒbƒvC
    öŠo‚ð—˜—p‚µ‚½ŒÜŠ´ƒCƒ“ƒ^ƒtƒF[ƒX
  • 2012.09.14@“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï “ú•§‹¤“¯ƒZƒbƒVƒ‡ƒ“C
    “ú•§iCNRSjŒ¤‹†Œð—¬u’´—ՏêVR‘ÌŒ±ŠÂ‹«vƒvƒƒWƒFƒNƒg‚Æ‚»‚ÌŒã‚Ì“WŠJ
  • 2011.09.20@3Dƒ†[ƒUƒCƒ“ƒ^ƒtƒF[ƒX‚̍ŐV“®Œü`ƒgƒbƒvƒRƒ“ƒtƒ@ƒŒƒ“ƒXÌ‘ð˜_•¶‚̏Љî`C
    Augmented Reality Flavors: Gustatory Display Based on Edible Marker and Cross-Modal Interaction
  • 2010.08.20@ƒV[ƒOƒ‰ƒt“Œ‹ž@‘æ57‰ñƒZƒ~ƒi[C
    SIGGRAPH2010 Emerging Technologies ŽQ‰Á•ñ
  • 2008.09.06@Crossing the Boundary Between Art and Technology, Ars Electronica Campus Exhibitionfs International ConferenceC
    Digital Public Art: Toward the Merging of Media Art and Public Art
  • 2005.08.31@CESAƒfƒxƒƒbƒp[ƒYƒJƒ“ƒtƒ@ƒŒƒ“ƒX 2005C
    uŠw¶‚ª’m‚肽‚¢ƒQ[ƒ€ŽY‹ÆŠE^ƒQ[ƒ€ŽY‹ÆŠE‚ª‹‚ß‚éŽáŽÒv
  • 2005.03.26@‘æ9‰ñƒQ[ƒ€ŠJ”­ŽÒƒZƒ~ƒi[uGame Developers Conference 2005 ƒŒƒ|[ƒgvC
    uŠw¶‚ÌŒ©‚½GDC2005v

¡ Žå‚ȏܔ±“™

  • SIGGRAPH ASIA 2017 E-tech Prize by Award Committee, 2017”N12ŒŽ
  • ŒoÏŽY‹ÆÈ Innovative Technologies+i–³ŒÀŠK’ij, 2017”N10ŒŽ
  • MVEÜ, 2017”N10ŒŽ
  • “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶Ü, 2017”N9ŒŽ
  • “ú–{Š¯”\•]‰¿Šw‰ï2016”N“x—DG”­•\Ü, 2017”N4ŒŽ
  • •¶‰»’¡ƒƒfƒBƒAŒ|pÕƒGƒ“ƒ^ƒeƒCƒ“ƒƒ“ƒg•”–å—DGÜ, 2017”N3ŒŽ
  • ‘æ17‰ñƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ï˜_•¶Ü, 2017”N3ŒŽ
  • ŒoÏŽY‹ÆÈ Innovative TechnologiesiUnlimited Corridorj, 2016”N10ŒŽ
  • MVEÜ, 2016”N10ŒŽ
  • “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶Ü, 2016”N9ŒŽ
  • VRƒNƒŠƒGƒCƒeƒBƒuƒAƒ[ƒh2016 ƒtƒ@ƒCƒiƒŠƒXƒg, 2016”N6ŒŽ
  • Augmented Human 2016 Third Best Paper Award, 2016”N2ŒŽ
  • MVEÜ, 2015”N10ŒŽ
  • “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶Ü, 2015”N9ŒŽ
  • ACM SUI2015 Short paper honorable mention, 2015”N8ŒŽ
  • Knowledge Innovation Award 2nd Silver Prize,2015”N3ŒŽ
  • IEEE VR 2015 Best Demo Award, 2015”N3ŒŽ
  • ACE 2014 Gold Paper Award, 2014”N11ŒŽ
  • 2013”N“xƒOƒbƒhƒfƒUƒCƒ“Üiîî“I‚È‹¾j, 2013”N10ŒŽ
  • ŒoÏŽY‹ÆÈ Innovative Technologiesiîî“I‚È‹¾j, 2013”N10ŒŽ
  • EC2013 Œû“ª”­•\Ü, 2013”N10ŒŽ
  • EC2013 Œ|p‰ÈŠw‰ïÜ, 2013”N10ŒŽ
  • “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶Ü, 2013”N9ŒŽ
  • MVEÜ,2013”N9ŒŽ
  • ‘DˆäŒ¤‹†§—ãÜ, 2013”N4ŒŽ
  • ‚ ‚ñ
  • ƒqƒ…[ƒ}ƒ“ƒRƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“Ü, 2012”N12ŒŽ
  • ŒoÏŽY‹ÆÈ Innovative TechnologiesiŠg’£–ž• Š´j, 2012”N10ŒŽ
  • ICAT 2012 Best Paper Award, 2012”N10ŒŽ
  • MVEÜ,2012”N9ŒŽ
  • “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ïSIGMRÜ, 2011”N10ŒŽ
  • “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶Ü, 2011”N9ŒŽ
  • IEEE VR 2011 Best Poster Award, 2011”N3ŒŽ
  • MVEÜ,2010”N10ŒŽ
  • SIGGRAPH 2010 Student Research Competition Semi-Finalists, 2010”N7ŒŽ
  • ƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“2010 ƒxƒXƒgƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒuÜ, 2010”N3ŒŽ
  • Laval Virtual Award 2009(Architecture, Art and Culture•”–å), 2009”N4ŒŽ
  • SIGGRAPH 2008 Student Research Competition Semi-Finalists, 2008”N8ŒŽ
  • “Œ‹ž‘åŠw‘åŠw‰@î•ñŠwŠÂEŠwÛî•ñŠw•{ êU’·Ü, 2008”N3ŒŽ
  • “ú–{‹@ŠBŠw‰ïƒtƒFƒ[Ü, 2007”N5ŒŽ
  • ‘æ6‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï ƒxƒXƒgƒZƒbƒVƒ‡ƒ“Ü (‰f‘œ’ñŽ¦‚ð—p‚¢‚½“®ü—U“±ŽÀŒ±‚Ì•ªÍ)C2005”N12ŒŽ.
  • æ’[ƒƒ{ƒbƒgHŠw‡“¯ƒ[ƒNƒVƒ‡ƒbƒv2005 ‹àÜ (ŒÂl‚Ì“Á’¥’Šo‚ð—˜—p‚µ‚½“®“I‚ȉf‘œ‚É‚æ‚é“®ü—U“±), 2005”N11ŒŽ.

¡ •ñ“¹

  • "Changing Perceptions", CNN English Express,‘æ31Šª2†Cpp.70-75, 2017”N1ŒŽ6“ú
  • "¢ŠE‚ð•Ï‚¦‚éƒjƒbƒ|ƒ“‚̐V‹Zp"iUnlimited CorridorjCAERA ‘æ30Šª1†’ÊŠª1600†Cpp.55-58, 2016”N12ŒŽ26“ú
  • "’nã200ƒ[ƒgƒ‹‚ð•à‚«‰ñ‚ê‚éVR‘•’uA“Œ‘å‚È‚Ç‚ªŠJ”­uUnlimited Corridorv", ‚Z¶V•· 2016”N11ŒŽ†C2016”N11ŒŽ10“ú
  • "‹Á‚«‚̍ŐV‹Zp‚ªWŒ‹I ƒfƒWƒ^ƒ‹‹Zp“W‚Łc"(Unlimited Corridor)C“ú–{ƒeƒŒƒr ƒXƒbƒLƒŠ!!C2016”N10ŒŽ28“ú
  • Unlimited CorridorCNHK BS ‘Û•ñ“¹C2016”N10ŒŽ27“ú
  • Unlimited CorridorCNHK ƒjƒ…[ƒX ƒVƒu5ŽžC2016”N10ŒŽ27“ú
  • "How technology can hack your tastebuds", ON JAPAN, CNN, 2016”N10ŒŽ26“ú
  • "POKEMON GO Ce N'est Qu'un Debut!"iƒƒ^ƒNƒbƒL[CŠg’£–ž• Š´j, Le dernier numero de Science & Vie, No. 1189, p.40-46, 2016”N9ŒŽ21“ú
  • "VR‚Ì–¢—ˆ@G‚ê‚éC‘–‚écEV‹Zp‚Å‘ÌŒ±‚ªƒŠƒAƒ‹‚É ‰f‘œƒRƒ“ƒeƒ“ƒc‚␶’†Œp‚É‚àVR‰»‚Ì”g"C“úŒoƒgƒŒƒ“ƒfƒBCNo.404Cpp.98-99, 2016”N8ŒŽ4“úD
  • "ƒQ[ƒ€‚̃€ƒYƒJƒVƒC˜bVol.131 VR‚ÅCG‹óŠÔ‚𖳌À‚É•à‚­‚½‚ß‚ÌŽæ‘g‚Ý2 `lŠÔ‚̍öŠo‚ð‰ž—p‚·‚éƒAƒvƒ[ƒ`"CTŠÔƒtƒ@ƒ~’ʁC2016”N8ŒŽ11“ú†Cpp.250-251, 2016”N7ŒŽ28“úD
  • u‚¾‚Ü‚³‚ê‚ăjƒbƒRƒŠIgöŠohÅ‘OüvCNHK ƒTƒL‚ǂ聪C2016”N6ŒŽ19“ú
  • "’´"‰¼‘zŒ»ŽÀ‚ɂ悤‚±‚»I@`ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠJ”­Å‘Oü`CNHK ƒTƒCƒGƒ“ƒXZEROC2016”N3ŒŽ27“ú
  • ƒ{ƒCƒƒ“šƒNƒGƒXƒgu–³‰Ê`‚Ì‚©‚«•XƒVƒƒbƒv‚Í‘S‚Ä“¯‚¶–¡‚Á‚Ä–{“–‚Å‚·‚©HvCCBCƒeƒŒƒr ƒSƒSƒXƒ}C2015”N12ŒŽ14“ú
  • "•sŽv‹c‚È”­–¾‚ªC¢ŠE‚ð•Ï‚¦‚éH SENSORS WONDER"iŠg’£–ž• Š´jC“ú–{ƒeƒŒƒr SENSORSC2015”N6ŒŽ6“úD
  • "u–³ˆÓŽ¯v‚ɍì—p ŽdŽ–‚ÌŒø—¦Œüã"iŽžŒvƒƒ^ƒtƒ@‚É‚æ‚鎞ŠÔŠ´Šo•Ï—ej, “ú–{ŒoÏV•· 12–Ê, 2015”N5ŒŽ12“úD
  • Šg’£–ž• Š´CNHK ƒlƒNƒXƒgƒ[ƒ‹ƒh ‘æ4‰ñC2015”N1ŒŽ25“úD
  • "“S“¹x‰f‘œ“W"iSharelog, “S“¹Žv‚¢o‚Ì‚¼‚«‘‹jCƒeƒŒƒré‹Ê@‚²‚²‚½‚܁C2014”N9ŒŽ4“úD
  • "ƒ_ƒCƒGƒbƒgÅVŽ–î‹³‚¦‚Ü‚· ”]‚Ɣ얞‚̃~ƒXƒeƒŠ["iƒƒ^ƒNƒbƒL[CŠg’£–ž• Š´jCTBS¢ŠE‚Ó‚µ‚¬”­Œ©C2014”N5ŒŽ24“úD
  • "‚»‚Ì‹C‚É‚³‚¹‚éV‹Zp@–ž‘«Š´‚»‚̂܂܂ŐHŽ–—ÊŒ¸"iƒƒ^ƒNƒbƒL[CŠg’£–ž• Š´CŠg’£–ž• Š´ƒe[ƒuƒ‹ƒgƒbƒvj, “ú–{ŽY‹ÆV•· 8–Ê, 2014”N5ŒŽ13“úD
  • "‚ ‚È‚½‚Ì“{‚è‚ɂ̓ƒP‚ª‚ ‚é"iîî“I‚È‹¾j, AERA, pp. 10-15, 2014”N5ŒŽ12“úD
  • "’T–Kƒ‰ƒ{@“Œ‹ž‘åŠwL£E’JìŒ¤‹†Žº"iŽv‚¢o‚Ì‚¼‚«‘‹CŠg’£–ž• Š´j, “Ç”„V•·’©Š§ 35–Ê, 2014”N4ŒŽ20“úD
  • "‚Ç‚¤‚È‚éH@–¢—ˆ‚̃VƒeƒBƒ{[ƒCƒ‰ƒCƒtB"iƒƒ^ƒNƒbƒL[CŠg’£–ž• Š´j, POPEYE 804(2014”N4ŒŽ†), pp.106-107, 2014”N3ŒŽ10“úD
  • "˜Z–{–؃qƒ‹ƒY‚ŃA[ƒg‚ð‘ÌŠ´@ÅVƒfƒWƒ^ƒ‹•ƒEƒH[ƒzƒ‹“W"iîî“I‚È‹¾j, “ú–{ƒeƒŒƒr@PON!, 2014”N3ŒŽ7“úD
  • "”]‚́uöŠov‚ŐVƒrƒWƒlƒX@“Œ‘å‚â‚m‚s‚s‚È‚Ç HŽ–Œ¸‚Á‚Ä‚à–ž• Š´@‘•’uˆ¬‚ê‚΁u“¹ˆÄ“àv"iŠg’£–ž• Š´ƒe[ƒuƒ‹ƒgƒbƒvj, “ú–{ŒoÏV•·—[Š§ 1–Ê, 2014”N1ŒŽ30“úD
  • "SIGGRAPH ASIA Report"iARATOUCHj, Software Design 2014”N2ŒŽ†, 2014”N1ŒŽD
  • "–¢—ˆ‚̃eƒŒƒr ‘æ3’e"iƒƒ^ƒNƒbƒL[j, “ú–{ƒeƒŒƒr@“úƒeƒŒƒAƒbƒvDate!, 2013”N11ŒŽ17“úD
  • "Œ»ŽÀ‚ƃQ[ƒ€‚̐¢ŠE‚́uPS5v‚Å‹æ•Ê‚ª‚È‚­‚È‚é", ƒAƒXƒL[ƒNƒ‰ƒEƒh 2013”N12ŒŽ†, 2013”N10ŒŽ24“úD
  • "H‚Ì‘å‰ÈŠwÕƒXƒyƒVƒƒƒ‹ ‰ÈŠw‚Ì–¢—ˆ‚ÖƒŒƒbƒcƒS[I(‘O•Ò)"iƒƒ^ƒNƒbƒL[j, NHK ƒTƒCƒGƒ“ƒXZERO, 2013”N10ŒŽ13“úD
  • "”]‚𑀂邾‚Ü‚µ‚̏p@ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒB[‚̉”\«"iîî“I‚È‹¾CŠg’£–ž• Š´CMagic Potj, ’©“úV•·’©Š§ 23–Ê, 2013”N7ŒŽ29“úD
  • "Œ¤‹†Å‘Oü ‘æ40‰ñ Šg’£–ž• Š´", ŠÖmTIMES 2013”N6ŒŽ†, 2013”N6ŒŽ1“úD
  • "öŠo‚̃~ƒXƒeƒŠ[@‚È‚º”]‚Í‚¾‚Ü‚³‚ê‚é‚Ì‚©?", BSƒtƒW ƒKƒŠƒŒƒIX, 2013”N4ŒŽ28“úD
  • "–¡‚ª‚È‚¢‚Ì‚É–¡‚ª‚·‚éƒNƒbƒL[“oêI?"iƒƒ^ƒNƒbƒL[jCTBS ƒRƒŒ‚Å•é‚炵‚ª•Ï‚í‚éƒeƒŒƒr, 2013”N1ŒŽ3“ú
  • "SF‰f‰æ‚̂悤‚ȐV•ºŠí@Œ©Š|‚¯‚Å–ž• Š´‚𐧌ä"iŠg’£–ž• Š´jCŠò•ŒV•·C2012”N12ŒŽ27“ú
  • "“VË‚ð‚‚­‚éƒL[ƒ[ƒh‚́ug‘̐«‚É‚ ‚èIHv", monoƒ}ƒKƒWƒ“, No.684, pp.26-27, 2012”N12ŒŽ16“ú
  • "SF‰f‰æ‚̂悤‚ȐV•ºŠí@Œ©Š|‚¯‚Å–ž• Š´‚𐧌ä"iŠg’£–ž• Š´jC“ú–{ŠCV•·C2012”N12ŒŽ12“ú
  • "mono‚Ì‘å‘{¸ü@‚±‚ê‚Á‚ă_ƒCƒGƒbƒgƒƒKƒlH ‚¢‚¦‚¢‚¦ŽÀ‚ÍAR‚È‚ñ‚Å‚·I", monoƒ}ƒKƒWƒ“, No.682, pp.120-121, 2012”N11ŒŽ16“ú
  • "DCEXPO2012"(Šg’£–ž• Š´), J-WAVE Hello World_, 2012”N10ŒŽ30“ú
  • "Jamie on the Go@ƒNƒbƒL[‚ª‘å‚«‚­‚È‚éHuŠg’£–ž• Š´v‚𓌑å‚Å‘ÌŒ±", TŠ§‰p˜aV•·Asahi Weekly 6–Ê, 2012”N10ŒŽ26“ú
  • "ŽÔ‚̃oƒbƒNŽžA”wŒã‚ðu“§Ž‹v@‰f‘œ‹Zp‚ªi‰» ƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒcƒGƒLƒXƒ|ŠJ–‹ "iŠg’£–ž• Š´jC“úŒoŽY‹ÆV•·C2012”N10ŒŽ26“ú
  • "‹ß–¢—ˆ‚̃fƒWƒ^ƒ‹‹Zp‚ð‘ÌŒ±"iŠg’£–ž• Š´jC“ú–{ƒeƒŒƒr@ƒXƒbƒLƒŠ, 2012”N10ŒŽ26“ú
  • Šg’£–ž• Š´CƒtƒWƒeƒŒƒr@’m‚肽‚ª‚è, 2012”N10ŒŽ25“ú
  • "ƒfƒWƒ^ƒ‹‚Å•Ï‚í‚é‹ß–¢—ˆ¶Šˆ"iŠg’£–ž• Š´jCƒeƒŒƒr“Œ‹ž@ƒ[ƒ‹ƒhƒrƒWƒlƒXƒTƒeƒ‰ƒCƒg-> ‹LŽ–i“®‰æ—Lj, 2012”N10ŒŽ25“ú
  • "•é‚炵‚ɖ𗧂ŐVƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒB["iŠg’£–ž• Š´jCNHK ‚¨‚͂悤“ú–{, 2012”N10ŒŽ25“ú
  • "‚í‚炵‚׃}ƒbƒhƒTƒCƒGƒ“ƒeƒBƒXƒg ‘æ68‰ñ öŠoƒ_ƒCƒGƒbƒg"CTV Bros., p.88, 2012”N10ŒŽ24“ú
  • ƒƒ^ƒNƒbƒL[C NHK@ƒMƒƒƒNƒeƒ“‹³Žº, 2012”N10ŒŽ8“ú
  • “ÁW ƒ}[ƒPƒbƒg‚ðÈŠª‚·‚é‹ZpŒ¤‹†C ƒŠƒNƒ‹[ƒgw‘åŠw‚Ì–ñ‘©xCpp.194, 2012”N10ŒŽ
  • ƒXƒ}ƒz‚́uƒ‰ƒCƒtƒƒOv‚Å–¢—ˆ—\‘ª@Œ¤‹†‚ªŠˆ”­‚ɁC“ú–{ŒoÏV•·, 2012”N9ŒŽ28“ú
  • ƒŒƒV[ƒgƒƒO‚ƏÁ”ï—\•ñC ƒeƒŒƒr“Œ‹ž@ƒ[ƒ‹ƒhƒrƒWƒlƒXƒTƒeƒ‰ƒCƒg, 2012”N9ŒŽ24“ú
  • ƒ_ƒCƒGƒbƒgƒƒKƒlC NHK@“°–{Œõˆê‚ÌNEWS LABO, 2012”N8ŒŽ17“ú
  • "¬l•a‚à—\–hH –¡‚Ü‚Å•Ï‚¦‚éu‹ÁˆÙ‚̍öŠov"iŠg’£–ž• Š´Cƒƒ^ƒNƒbƒL[j, ƒeƒŒƒr’©“ú ƒ‚[ƒjƒ“ƒOƒo[ƒh, 2012”N7ŒŽ16“ú
  • READERS IN COUNCIL, The Japan Times, 2012”N6ŒŽ14“ú
  • Šg’£–ž• Š´C•¶‰»•ú‘—@‚­‚É‚Ü‚éƒWƒƒƒpƒ“, 2012”N6ŒŽ8“ú
  • H‚ו¨‚¾‚¯‰f‘œƒAƒbƒv u–ž• Š´v‚àƒAƒbƒv, “ú–{ƒeƒŒƒr ƒXƒbƒLƒŠ, 2012”N6ŒŽ8“ú
  • H‚ו¨‚¾‚¯‰f‘œƒAƒbƒv u–ž• Š´v‚àƒAƒbƒv, ’©“úV•·’©Š§ 33–Ê, 2012”N6ŒŽ8“ú
  • Special goggles can fool wearers into eating less, The Japan Times, 2012”N6ŒŽ6“ú
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